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Rating Title | Year Author Quote
5/10
They Will Kill You (2026) Joshua Mbonu They Will Kill You has the blood, guts, and weirdness to spare alongside its impressively choreographed fight sequences, and Zazie Beetz giving it her all at every moment.
Posted Mar 24, 2026Edit critic review
7.5/10
Palestine '36 (2025) Dom Fisher Palestine '36 is an eye-opening, essential, and unforgettable experience. This film is critical nourishment for a vital understanding of an ever-evolving and seemingly endless conflict that continues today
Posted Mar 24, 2026Edit critic review
8.5/10
1000 Women in Horror (2025) Jaylan Salah 1000 Women in Horror is a fun nightmare about topics that stir controversy or make men uncomfortable, but it’s a must if someone wants to get a closer look at womanhood and what it entails.
Posted Mar 24, 2026Edit critic review
6/10
Black Zombie (2026) Jaylan Salah Black Zombie is a unique, introspective, analytical piece of documentary filmmaking.
Posted Mar 24, 2026Edit critic review
9/10
Slanted (2025) Tristian Evans Slanted is a creative and entertaining blend of body horror and racial commentary. Audiences will find the film just as enlightening as it is entertaining.
Posted Mar 24, 2026Edit critic review
8.5/10
Fantasy Life (2025) Phil Walsh Fantasy Life is the kind of quiet film about life's little moments, insecurities, and challenges that we rarely see. Shears debuts as a director to great acclaim, and Peet reminds us that she is a bona fide star.
Posted Mar 23, 2026Edit critic review
2/10
He's Watching You (2024) Phil Walsh Rather than attempting to craft something original, the effort is largely a return to the same well that has been drained dry.
Posted Mar 23, 2026Edit critic review
7.5/10
Micro Budget (2024) Anya Couture Micro Budget surprises with its sharpened sense of humor backed by cursed knowledge in the film industry, which will hit different based on your familiarity with it. But for those who need it, this is a therapeutic breath of fresh and rarified air.
Posted Mar 23, 2026Edit critic review
8/10
Ready or Not 2: Here I Come (2026) Gaius Bolling Ready or Not 2: Here I Come is a consistently entertaining deep dive into the twisted games of the elite that generates a similar, but different excitement than that achieved by its predecessor.
Posted Mar 19, 2026Edit critic review
9/10
One Another (2026) Codie Allen One Another is a gentle yet powerful reminder that friendship—in all its beauty and fragility—is one of the most meaningful relationships we can experience.
Posted Mar 17, 2026Edit critic review
4/10
A Mother's Love (2025) Roberto Tyler Ortiz In the end, what’s left isn’t the fear or the tragedy, but the frustration of what could have been a film that begins with promise but ultimately becomes another forgettable horror film.
Posted Mar 17, 2026Edit critic review
8/10
A Family (2026) Liselotte Vanophem this beautifully shot film with compelling performances guides you through a heartfelt portrayal of divorce, childhood, and family.
Posted Mar 17, 2026Edit critic review
7.5/10
Paradise (2026) Dave Giannini The world may be a dangerous place, but that does not mean kindness and trust should be eradicated. We are connected across oceans, but it is up to each of us to create a world worth living in.
Posted Mar 17, 2026Edit critic review
8/10
Sparks (2026) Codie Allen What the film leaves behind isn’t a puzzle to solve, but a feeling—the bittersweet recognition of what it means to be young, inspired by movies, legends, and dreams.
Posted Mar 17, 2026Edit critic review
9/10
Ugly Cry (2026) Codie Allen Ugly Cry sits confidently alongside films that have critiqued beauty standards before it, but it does so in a way that feels wholly original, intimate, and devastatingly honest.
Posted Mar 17, 2026Edit critic review
10/10
Adam's Apple (2026) Codie Allen Adam’s Apple becomes more than a documentary about one family. It becomes a quiet act of resistance against narratives that seek to erase or diminish trans lives.
Posted Mar 17, 2026Edit critic review
7/10
Bagworm (2026) Phil Walsh Darkly amusing and chaotic from start to finish, this is a weird film that is impossible to ignore or dislike.
Posted Mar 17, 2026Edit critic review
4/10
Vampires of the Velvet Lounge (2026) Phil Walsh It never quite reaches the true campiness it desires. Instead, it drenches the screen in blood and gore to compensate for its shortcomings.
Posted Mar 16, 2026Edit critic review
6.5/10
The Peril at Pincer Point (2026) Phil Walsh When it attempts to weave a narrative thread through the needle, there is some success. It is still an effort that is more style over substance, but even then, that is hardly a damming criticism after watching a visual treat on the eyes.
Posted Mar 15, 2026Edit critic review
9/10
Dead Deer High (2026) Codie Allen Ultimately, Dead Deer High is not a film about closure or easy resolutions. It’s about witnessing grief, the messy process of healing, and the ways people—especially young people—use art to navigate trauma
Posted Mar 14, 2026Edit critic review
7.5/10
Edie Arnold Is a Loser (2026) Cameron Ritter Edie Arnold is a Loser is a funny, breezy delight that shows the hardships of high school relationships and balancing all that life throws at you.
Posted Mar 14, 2026Edit critic review
5.5/10
The French Italian (2024) Dave Giannini Rachel Wolther clearly has a focus on perspective and employs some lovely imagery along with cinematographer Charlotte Hornsby. So much so that it almost completely distracts us from the odd structural choices and consistent misses of the comedy.
Posted Mar 14, 2026Edit critic review
9.5/10
Sentimental Value (2025) Will Bjarnar His sixth feature wrestles with devastation and hilarity as it maintains the ability to be broadly incisive and specifically crafted. It also exists as both an intimate story about family and a clever movie about filmmaking.
Posted Mar 14, 2026Edit critic review
4/10
Oh. What. Fun. (2025) M.N. Miller Oh. What. Fun. teases a sharp, edgy holiday comedy and delivers Michelle Pfeiffer at her best, only to crumble into a bland, unfocused jumble that squanders every spark it ignites.
Posted Mar 14, 2026Edit critic review
6/10
You're Dating a Narcissist! (2025) Roberto Tyler Ortiz The rom-com structure, with its misunderstandings, last-minute realizations, and tidy resolution, can feel overly safe for a film with such a bold premise. Still, Allison’s direction keeps the pacing light.
Posted Mar 14, 2026Edit critic review
6.5/10
Leads (2025) Roberto Tyler Ortiz It captures the messy, human aspects of ambition, sibling relationships, and creative life in a way that feels tender, relatable, and occasionally funny. It’s cute without being saccharine.
Posted Mar 14, 2026Edit critic review
7.5/10
A Private Life (2025) Roberto Tyler Ortiz Despite its heavy subject matter, which includes suicide, guilt, and repression, A Private Life remains surprisingly light on its feet. It’s often very funny in its darkness, finding humor in human absurdity rather than cruelty.
Posted Mar 14, 2026Edit critic review
8/10
We Shall Not Be Moved (2024) Roberto Tyler Ortiz The character work is strong, the technical craftsmanship is clear, and Luisa Huertas is outstanding. Mexico chose it as their International Feature submission, and it was for sure the correct one.
Posted Mar 14, 2026Edit critic review
7.5/10
The Daughters of the Domino (2025) Phil Walsh For a debut film, McAnally shows a clear grasp of the genre while crafting a story that is entirely original and thoughtful.
Posted Mar 14, 2026Edit critic review
8/10
The Plague (2025) Dom Fisher Teetering into body horror territory and just the drama and politics of being a young person, this film is truly a gem that has a wide reach. With its sharp script and tremendous direction, The Plague should definitely infect your screen.
Posted Mar 14, 2026Edit critic review
8/10
Resurrection (2025) Cameron Ritter Resurrection is a masterclass of craft and filmmaking, taking its audience on a journey through 20th-century China.
Posted Mar 14, 2026Edit critic review
8/10
Cookie Queens (2026) Phil Walsh In a cozy, yet informative documentary, filmmaker Alysa Nahmias takes us into a coming-of-age story in the making. We enter a story that is less about Thin Mints and more about sisterhood, expectations, and ambition.
Posted Mar 14, 2026Edit critic review
7.5/10
Yellow Letters (2026) Phil Walsh A beautiful reminder of the need for artistic expression in the face of raging autocracy.
Posted Mar 14, 2026Edit critic review
7/10
Narciso (2026) Dave Giannini Narciso is a film of complex themes, addictive energy, and challenging norms. Watching it, especially when Diro Romero is onscreen, is to feel the sway of radicalized youth and freedom.
Posted Mar 14, 2026Edit critic review
8/10
Brailled It (2026) Phil Walsh It is high pressure throughout, but also deeply revealing as a real-life coming-of-age story. Here, these students stand out, not for their disability but for their skill. The film nails it as a triumphant story of the unyielding human spirit.
Posted Mar 14, 2026Edit critic review
9/10
Anima (2026) Megan Loucks Anima is the sci-fi film we need right now, full of empathy and introspection.
Posted Mar 13, 2026Edit critic review
6/10
Charlie the Wonderdog (2025) Andrew Fukui Charlie the Wonderdog succeeds as a fun, crowd-pleasing experience for its target audience
Posted Mar 13, 2026Edit critic review
4.5/10
Perfect (2026) Codie Allen Perfect feels less like a fully formed statement and more like a collection of intriguing ideas that never quite find their shape.
Posted Mar 13, 2026Edit critic review
7/10
Bodycam (2025) Gaius Bolling Bodycam was a pleasant surprise
Posted Mar 13, 2026Edit critic review
9/10
André Is an Idiot (2025) Phoenix Clouden Andre is an Idiot is ultimately a sad story. It’s a tender portrait of a man, his life, and his choices, some great, others quite idiotic. But it’s a life with love, no matter what. And it’s one we could all take more than one lesson from.
Posted Mar 12, 2026Edit critic review
2.5/10
Reminders of Him (2026) Roberto Tyler Ortiz For a movie built entirely around emotional reconciliation, Reminders of Him leaves surprisingly little to feel.
Posted Mar 11, 2026Edit critic review
10/10
undertone (2025) Gaius Bolling Undertone is a horror film meant to reach into your nervous system and never let go. A sensory exercise in fear that proves the less you see, the scarier it is.
Posted Mar 11, 2026Edit critic review
9/10
Project Hail Mary (2026) Joshua Mbonu Project Hail Mary offers nearly everything we want out of a modern sci-fi blockbuster:
Posted Mar 10, 2026Edit critic review
5.5/10
On a String (2025) Larry Fried It feels like there is a sharper, stronger comedy at the heart of On a String that is weighed down by standard visual storytelling and a lack of bold, side-splitting humor. While by no means a poor effort, Hagen’s directorial debut does not stand out.
Posted Mar 10, 2026Edit critic review
7/10
Peaky Blinders: The Immortal Man (2026) Liselotte Vanophem ‘Peaky Blinders: The Immortal Man’ is a stylish film that captivates visually but struggles with uneven pacing and underdeveloped characters.
Posted Mar 08, 2026Edit critic review
8/10
Protector (2025) Phil Walsh Powerful and riveting, I guarantee the movie will hit people with all the feels, which is surprising for an action thriller, but the story never dips in its emotional intensity. 
Posted Mar 07, 2026Edit critic review
6.5/10
Operation Taco Gary's (2024) Gaius Bolling Operation Taco Gary's is really about accepting the chaos in the world because, despite some of our best efforts, chaos will exist, and we simply have to carry on.
Posted Mar 06, 2026Edit critic review
7/10
War Machine (2026) M.N. Miller Alan Ritchson is electric in War Machine, a kinetic and visceral high-octane action thriller.
Posted Mar 06, 2026Edit critic review
6/10
THE BRIDE! (2026) Brandon Lewis Perhaps some directorial restraint might’ve led to a cleaner film, but given what it successfully explores about female agency in a patriarchal world, the messiness feels purposeful, even required.
Posted Mar 04, 2026Edit critic review
4/10
Dolly (2025) Codie Allen For all the noise and nastiness, there wasn’t enough emotional weight to pull me in, and I never truly cared who survived the night.
Posted Mar 04, 2026Edit critic review
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