Alone With Her is a pretty engaging tale, and it's refreshing to see a well-acted, suspenseful drama made without a bloated budget or a lot of bloodletting.

Full Review | Original Score: 3.5/5 | May 26, 2007

Alone With Her plays like an extended voyeur video with nothing new to say about hidden cameras or stalkers or anything.

Full Review | Feb 5, 2007

Even a conventional, albeit cynical, ending can't ruin such effective mood-making.

Full Review | Original Score: 4/6 | Feb 3, 2007

... this low-budget horror flick builds some claustrophobic tension out of modern anxieties, but it won't scare the bejesus out of you.

Full Review | Jan 25, 2007

Leadenly scripted and blandly overliteral and therefore never capitalizes on the provocativeness of its premise.

Full Review | Jan 24, 2007

Alone With Her has the kind of high ick factor that leaves you squirming -- not because Doug is so diabolical a creation, but because what he does to satisfy his pathology is so practical.

Full Review | Original Score: 3/4 | Jan 19, 2007

For all its technological ingenuity, however, the film is ultimately a fairly routine stalker thriller that soon becomes repetitive in its contrivances. And the footage, necessarily shot on digital video, is not particularly easy to watch.

Full Review | Jan 19, 2007

A B-picture waiting to cut loose in its final 15 minutes, when it devolves into generic stalker-thriller theatrics of the Julia-Roberts-in-distress kind.

Full Review | Original Score: 2.5/4 | Jan 18, 2007

A Blair Witch Project for the new, surveillance-obsessed millennium.

Full Review | Original Score: B- | Jan 17, 2007

Writer and director Eric Nicholas's latest film, Alone With Her, is a voyeuristic thriller that is fiendishly assured yet ultimately less than the sum of its parts.

Full Review | Original Score: 2.5/5 | Jan 17, 2007

Far superior to the generic thrillers churned out by the big studios.

Full Review | Original Score: 3/4 | Jan 17, 2007

As the voyeur manages to enter the Amy Show, Nicholas uses this ontological shift as the basis for a 'real' movie of his own, effectively liquidating the original premise.

Full Review | Jan 9, 2007