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Crooked Marquee

Crooked Marquee is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Abby Olcese, Alan Zilberman, Audrey Fox, Britt Hayes, Caroline Madden, Craig D. Lindsey, Eric D. Snider, Jason Bailey, Josh Bell, Kimber Myers, Kristy Puchko, Marshall Shaffer, Marya E. Gates, Meredith Borders, Peg Aloi, Robert Daniels, Roxana Hadadi, Scott Weinberg, Sean Burns, Will DiGravio.

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Rating Title | Year Author Quote
C
Blazing Fists (2025) Josh Bell It's all played for maximum melodrama, and the fight scenes are mediocre, without any forward momentum.
Posted Mar 24, 2026Edit critic review
C+
Videotheque (2024) Josh Bell Bursac is good at mimicking the look and structure of his influences, but he falls short on narrative substance.
Posted Mar 24, 2026Edit critic review
C-
INT. HALLWAY / NIGHT (2026) Josh Bell Rather than deal directly with his characters' emotional conflicts, Zane abstracts them into meaninglessness.
Posted Mar 24, 2026Edit critic review
C
Golden (2025) Josh Bell Brian Austin Green doesn't have the grit or the charisma to play a roguish counterfeiter, and he gives an inert performance in an inert movie.
Posted Mar 24, 2026Edit critic review
A-
28 Years Later: The Bone Temple (2026) Kimber Myers I cannot quite square how much fun this movie is while being so disturbing. The depravity of Sir Jimmy and his cult will linger, but boy, is this just an absolute blast.
Posted Mar 23, 2026Edit critic review
B-
Arco (2025) Kimber Myers It’s a bit messy, but that seems like a fair trade off for a film that wants to color outside the lines — and do it with a rainbow crayon.
Posted Mar 23, 2026Edit critic review
A-
Pillion (2025) Kimber Myers Pillion is a bold, bawdy film told through small looks and big feelings. It broke my heart and put it back together again.
Posted Mar 23, 2026Edit critic review
B
Wuthering Heights (2026) Kimber Myers This is a horny, hollow reworking, but that seems to be entirely what Fennell is going for.
Posted Mar 23, 2026Edit critic review
D+
Scream 7 (2026) Kimber Myers Scream 7 lacks any semblance of its energy on either the horror or the comedy side of things. It’s not scary, and it’s not that funny. I wish some studio executive had the bravery to kill the franchise. Be sure to shoot it in the head.
Posted Mar 23, 2026Edit critic review
B-
1000 Women in Horror (2025) Kimber Myers It does more than scratch the surface of horror, and some of the lesser-known movies it references will help grow the watchlists of the creepy cognoscenti who are looking for some deeper cuts.
Posted Mar 23, 2026Edit critic review
B+
Pompei: Below the Clouds (2025) Kimber Myers Pompei: Below the Clouds is bound for Mubi, but it feels like it would be best seen on a big screen to let the beauty of the images wash over you. I cannot imagine a more stunning documentary will be released this year.
Posted Mar 23, 2026Edit critic review
B+
undertone (2025) Kimber Myers In the grand tradition of indies like The Blair Witch Project and Paranormal Activity, writer-director Ian Tuason’s feature debut accomplishes ample scares with very little budget.
Posted Mar 13, 2026Edit critic review
B+
The Forbidden City (2025) Josh Bell This stylish but overlong action movie finds creative ways to blend cultures, even if it can get bogged down in its elaborate plotting.
Posted Mar 10, 2026Edit critic review
B+
Agent Zero (2026) Josh Bell There's nothing new about the story, but it moves swiftly from one set piece to another, with just enough intrigue and anguish to keep the audience engaged.
Posted Mar 10, 2026Edit critic review
C
Trucker (2024) Josh Bell The characters in this forgettable horror movie say the title so many times that it becomes laughable.
Posted Mar 10, 2026Edit critic review
C+
Stray Bodies (2024) Josh Bell Greek director Elina Psykou's documentary about several European women seeking restricted healthcare leap-frogs from one nation to another without settling on a coherent point of view.
Posted Mar 10, 2026Edit critic review
C-
NFT: Cursed Images (2026) Josh Bell Cursed Images lacks even the staying power of the ephemeral online trend it's chasing.
Posted Mar 10, 2026Edit critic review
B-
Last Ride (2026) Josh Bell An unwieldy but often heartfelt story about childhood bonding.
Posted Feb 18, 2026Edit critic review
D+
Kangaroo Kids (2023) Josh Bell The kangaroo is the only cast member who isn’t painfully overacting, and she spends most of her screentime stuffed in a sack.
Posted Feb 18, 2026Edit critic review
C
Hellfire (2026) Josh Bell Reliable DTV action director Isaac Florentine pulls off a couple of decent action sequences, but Lang is no Scott Adkins, and the combat is more rote than dynamic.
Posted Feb 17, 2026Edit critic review
C
Blood Barn (2025) Josh Bell Director and co-writer Gabriel Bernini knows how to emulate the look of low-budget vintage horror, but he doesn't offer much more than that.
Posted Feb 17, 2026Edit critic review
Sgt. Pepper's Lonely Hearts Club Band (1978) Sean Burns I saw a film today, oh boy.
Posted Feb 06, 2026Edit critic review
C+
Acts of Love (2025) Josh Bell At a certain point, the obsession with past abuse starts to come off like celebration.
Posted Feb 03, 2026Edit critic review
C-
The Roaring Game (2025) Josh Bell Curling is such an inherently goofy-looking sport that it shouldn't be difficult to make an effective comedy about it, but writer-director Tom DeNucci still fails miserably with this threadbare, unfunny effort.
Posted Feb 03, 2026Edit critic review
B-
Pike River (2025) Josh Bell A worthwhile personal journey even if the larger purpose remains unfulfilled.
Posted Feb 03, 2026Edit critic review
C
Grizzly Night (2026) Josh Bell The period details are spotty, and the message about responsible stewardship of nature is muted at best.
Posted Feb 03, 2026Edit critic review
Blazing Saddles (1974) Sean Burns A deeply moral movie that tap-dances on third-rail subject matter and throws around verboten language to call out the violent racism and hypocrisy undergirding America’s cherished frontier myths.
Posted Feb 01, 2026Edit critic review
B
Revolver Lily (2023) Josh Bell There's a lot of convoluted exposition in between the action sequences in this Japanese period thriller, but that action is mostly strong enough to push past the narrative lulls.
Posted Jan 20, 2026Edit critic review
A-
Dooba Dooba (2024) Josh Bell A darkly funny and brilliantly acted suburban nightmare.
Posted Jan 20, 2026Edit critic review
B
Shaka: A Story of Aloha (2024) Josh Bell Sue is an enthusiastic onscreen presence who makes this unlikely topic into something expansive and meaningful.
Posted Jan 20, 2026Edit critic review
C-
Killer Whale (2026) Josh Bell The actual attacks are brief, and the effects are unconvincing, but Brechin spends far more time on the maudlin reconciliation between the former besties.
Posted Jan 20, 2026Edit critic review
C
How to Lose a Popularity Contest (2026) Josh Bell TikTok star Hudson puts the bare minimum effort into his movie debut, and Waisglass matches him with rote perkiness.
Posted Jan 20, 2026Edit critic review
The Sting (1973) Sean Burns ‘The Sting’ is both a grift and a great escape. It makes you nostalgic for something that never was.
Posted Jan 16, 2026Edit critic review
Starting Over (1979) Sean Burns It’s affecting work, vulnerable in ways we’re not used to seeing the star. Even Burt’s toupee looks less robust than usual.
Posted Jan 16, 2026Edit critic review
B
Holding Liat (2025) Kimber Myers Holding Liat can be viewed as a microcosm of the differing, dividing opinions amongst Jewish people (and the world as a whole) on Gaza, but it’s also simply about a single family at the worst time imaginable.
Posted Jan 13, 2026Edit critic review
A Place in the Sun (1951) Carmen Paddock By using and manipulating two growing star images, with their striking beauties, A Place in the Sun balances its candor around American social mythology with a sunswept, glittery romance.
Posted Jan 13, 2026Edit critic review
C
Tapped (2026) Josh Bell The movie sacrifices gritty realism for kung-fu combat, but doesn't succeed in either area.
Posted Jan 07, 2026Edit critic review
C-
Sleepwalker (2026) Josh Bell There's nothing here that warrants staying awake, for the actors or the audience.
Posted Jan 06, 2026Edit critic review
C-
Relentless (2025) Josh Bell The infrequent bursts of action following the propulsive opening aren't nearly enough to make up for the tedious didacticism, overstated performances, and repetitive posturing.
Posted Jan 06, 2026Edit critic review
B
People and Meat (2025) Josh Bell A sensitive portrayal of senior citizens finding unexpected connections, with a bittersweet but uplifting tone.
Posted Jan 06, 2026Edit critic review
C-
Super Happy Fun Clown (2025) Josh Bell It's just a desultory murder spree with no motivation following those initial victims, and no creative nastiness to the death scenes.
Posted Jan 06, 2026Edit critic review
C
Flathead (2024) Josh Bell Martin's celebration of the working class gets aestheticized into nothingness.
Posted Dec 16, 2025Edit critic review
B
Grapefruit (2023) Josh Bell Whenever things get too whimsical, harsh reality comes crashing back in, and both the characters and the filmmaker deal with it in a thoughtful, emotionally resonant fashion.
Posted Dec 16, 2025Edit critic review
B-
The Milky Way (2023) Josh Bell Kenig's plotting is scattered, but her examination of the contradictions of modern motherhood is often affecting.
Posted Dec 16, 2025Edit critic review
C+
Hag (2025) Josh Bell It's a bit cheekier than the average Lifetime movie, but not by enough.
Posted Dec 16, 2025Edit critic review
C
Turbulence (2025) Josh Bell A movie with a premise this silly should not be this dull.
Posted Dec 16, 2025Edit critic review
C-
Manor of Darkness (2025) Josh Bell Each time the loop starts over, Manor gets less appealing.
Posted Dec 03, 2025Edit critic review
B-
A Few Feet Away (2025) Josh Bell A well-crafted character study about a young man figuring out what he wants in life.
Posted Dec 03, 2025Edit critic review
C
Universal (2025) Josh Bell The result is a movie that can't quite commit either to its stilted humor or its high-concept ideas, and ends up in a dissatisfying middle ground.
Posted Dec 03, 2025Edit critic review
C
Not for Nothing (2022) Josh Bell The quest for vengeance shares space with underwhelming subplots about the brothers' buddies, and the movie lurches clumsily from broad comedy to grim drama.
Posted Dec 03, 2025Edit critic review
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