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Daughters of the Dust

Play trailer Poster for Daughters of the Dust 1991 1h 54m Drama Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
94% Tomatometer 82 Reviews 66% Popcornmeter 1,000+ Ratings
At the dawn of the 20th century, a family in the Gullah community of coastal South Carolina -- former West African slaves who adopted many of their ancestors' Yoruba traditions -- suffers a generational split. Young Haagar (Kaycee Moore) wants to move to the mainland away from tradition-bound matriarch Nana (Cora Lee Day). Former prostitute Yellow Mary (Barbara-O) gets a cold shoulder when she returns to the island with her female lover, especially from her sister Viola (Cheryl Lynn Bruce).

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Daughters of the Dust

Daughters of the Dust

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Critics Consensus

Daughters of the Dust addresses its weighty themes with lovely visuals and a light, poetic touch, offering an original, absorbing look at a largely unexplored corner of American culture.

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Critics Reviews

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Judy Gerstel Detroit Free Press 03/23/2021
4/4
Writer-producer-director Julie Dash has taken extraordinary risks. The movie develops and grows and swells into something remarkable and alive, like an idea or a feeling or a child in the womb. Go to Full Review
Patricia Smith Boston Globe 03/23/2021
Let's thank Julie Dash for her persistence in bringing us this jewel. This is a story we will tell our children again and again -- and with each retelling, the colors will swell in our souls. Go to Full Review
Eleanor Ringel Cater Atlanta Journal-Constitution 03/23/2021
An Atlanta-based artist making her long-worked-for feature debut, Ms. Dash is a filmmaker of startling originality and delicacy. Her film is poetry in motion, part dream-memory, part tattered family album. Go to Full Review
Paul Kanieski KSQD Community Radio 07/21/2023
Daughters of the Dust is fictional, but inspired by Dash’s own family history it feels deeply personal. Go to Full Review
Dennis Schwartz Dennis Schwartz Movie Reviews 04/10/2023
A
An amazing first feature by director-writer Julie Dash. Go to Full Review
Annlee Ellingson CineWomen 08/17/2022
Submerges viewers in another place and another time. Go to Full Review
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Audience Reviews

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david f 03/19/2022 This independent film about a community living on the islands off southeastern America around the turn of the century tells a moving and emotionally fraught story about leaving home and moving out. See more 03/02/2022 Although the island on which the Peazant family lives barely looks disconnected from "the mainland" on a map, in 1902 South Carolina, it is worlds apart. Moving from one landmass to the other is the central point of conflict in Daughters of the Dust. Interest in the Gullah-Geechee culture is what made me add this to my watch-list, as I'm especially fond of Beaufort, South Carolina and its environs. Generational change is not a new concept in American storytelling, but it's especially interesting here, as we view issues concerning religion traditional Christianity, syncretic Christianity, and even a dabble of Islam with Bilal (Umar Abdurrahman), prosperity and integration vs. modesty and tradition, interracial-love, homosexuality, colorism, and identity when it comes to a history of slavery — "When you leave this island, you ain't goin' to no land of milk and honey," says Nana Peazant (Cora Lee Day), you can imagine which side of Go v. Stay she's on. These are plot threads that most viewers would find interesting, but the film demands a concentration I don't think most of those same viewers possess — it's boring, to put it frankly. The only burst of energy we get comes from Eula (Alva Rogers) on the beach, but by this time in the film, you're not exactly sure what she's yelling about. Don't get me wrong, I very much appreciate the on-location filming and the authentic dialogue, but the non-linear plot added to the already mentioned level of concentration doesn't make it the easiest watch — even Roger Ebert had his difficulties: "The fact that some of the dialogue is deliberately difficult is not frustrating, but comforting; we relax like children at a family picnic, not understanding everything, but feeling at home with the expression of it." I disagree. The less I understand, the less I care. I was actually shocked to learn that this was an original script and not based on a novel — this sort of story lends itself to the novel form. I could've gone for more shots of the wild horses, Mt. Rushmore of animals you want to see in movies. I can recommend this for those who have a deep interest in Gullah culture (in which case, you've probably already seen it), or if you're in the mood for a slow-cooked, meat-falling-off-the-bone-tender movie. See more charlie l 03/03/2020 Surprisingly incoherent and bland given the subject matter. See more 01/21/2019 Wonderful movie Beautiful movie See more s r @ScottR 09/10/2018 Too artsy for me, I had a tough time getting into it. See more 05/05/2018 "Daughters of the Dust" is slice-of-life drama, a period piece about heritage, and a portrait of a culture few people have even heard of. See more Read all reviews
Daughters of the Dust

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Movie Info

Synopsis At the dawn of the 20th century, a family in the Gullah community of coastal South Carolina -- former West African slaves who adopted many of their ancestors' Yoruba traditions -- suffers a generational split. Young Haagar (Kaycee Moore) wants to move to the mainland away from tradition-bound matriarch Nana (Cora Lee Day). Former prostitute Yellow Mary (Barbara-O) gets a cold shoulder when she returns to the island with her female lover, especially from her sister Viola (Cheryl Lynn Bruce).
Director
Julie Dash
Producer
Julie Dash, Steven Jones, Arthur Jafa
Screenwriter
Julie Dash
Distributor
Kino International
Production Co
WMG Film, American Playhouse, Geechee Girls
Genre
Drama
Original Language
English
Release Date (Theaters)
Dec 27, 1991, Original
Rerelease Date (Theaters)
Nov 18, 2016
Release Date (Streaming)
Apr 11, 2017
Box Office (Gross USA)
$41.0K
Runtime
1h 54m
Sound Mix
Ultra-Stereo
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