The Man Who Killed Don Quixote (2018)
66%
6/10
EDIT
“Even if this à la carte storytelling might not have resulted in Gilliam's opus like everyone wanted, hey, even à la carte can make a satisfying meal.” –
Under the Radar
Apr 22, 2019
Full Review
Green Book (2018)
77%
7/10
EDIT
“Green Book is little more than a film about two people who become friends, but, especially in this day and age, that's more than enough.” –
Under the Radar
Nov 27, 2018
Full Review
Assassination Nation (2018)
74%
4.5/10
EDIT
“Such literal storytelling doesn't logically or tonally mesh with later scenes of mass hysteria, violence, and absurdity.” –
Under the Radar
Nov 27, 2018
Full Review
BlacKkKlansman (2018)
96%
8/10
EDIT
“BlacKkKlansman is so fresh and rich with ideas that you can forgive its shortcomings.” –
Under the Radar
Nov 27, 2018
Full Review
Molly's Game (2017)
82%
3.5/10
EDIT
“A script so overwrought and self-important that it might actually trick a few people into thinking it's good.” –
Under the Radar
Dec 19, 2017
Full Review
The Square (2017)
85%
6.5/10
EDIT
“To be clear, the film is definitely more good than bad, but [Ruben] Östlund has set a high bar for himself, and this could have been a lot more by being a lot less.” –
Under the Radar
Nov 6, 2017
Full Review
The Lost City of Z (2016)
85%
5/10
EDIT
“What we have here are essentially two different films, and I'm not fully convinced much of the first is required to reap the benefits of a far more rich and ambitious second ... a missed opportunity.” –
Under the Radar
May 20, 2017
Full Review
La La Land (2016)
91%
5/10
EDIT
“[Emma Stone] is so captivating as an actor that we are somehow attentive and interested through lousy songwriting and cliches.” –
Under the Radar
Dec 16, 2016
Full Review
Jackie (2016)
87%
7/10
EDIT
“Jackie proves that grace and composure are qualities that matter in our leaders in a year when many Americans want to deny it.” –
Under the Radar
Dec 16, 2016
Full Review
Rogue One: A Star Wars Story (2016)
84%
8/10
EDIT
“Rogue One is worthy of standing alongside the original trilogy. Not only in terms of quality, but in creativity, imagination, and inspiration.” –
Under the Radar
Dec 13, 2016
Full Review
The Light Between Oceans (2016)
62%
3.5/10
EDIT
“Too much of the opening hour is spent establishing Tom and Isabel's happiness with unnecessarily extended scenes of the two frolicking about in nature.” –
Under the Radar
Sep 29, 2016
Full Review
Café Society (2016)
71%
4/10
EDIT
“A mess of a story that haphazardly jumps around though settings, tones, and plotlines with little overarching point or direction.” –
Under the Radar
Aug 1, 2016
Full Review
The Meddler (2015)
85%
5.5/10
EDIT
“The Meddler starts off almost too quirky and inoffensive before dramatically reversing course with the arrival of the always-welcome J.K. Simmons.” –
Under the Radar
May 3, 2016
Full Review
Everybody Wants Some!! (2016)
87%
4.5/10
EDIT
“Unfortunately, [Blake] Jenner's screentime mostly consists of a lack of spatial awareness and poor, unemotive line readings.” –
Under the Radar
Apr 3, 2016
Full Review
Knight of Cups (2015)
47%
5.5/10
EDIT
“[Knight of Cups'] inherently episodic plot is at odds with [Malick's] traditionally long, meandering visuals, which do an admirable job conveying mood, tone, and his stark version of LA.” –
Under the Radar
Mar 7, 2016
Full Review
Where to Invade Next (2015)
79%
3.5/10
EDIT
“A filmmaker who's made a career on presenting his take on an issue's origins and deeper meanings here only presents solutions.” –
Under the Radar
Jan 3, 2016
Full Review
The Big Short (2015)
89%
8/10
EDIT
“The Big Short is far from perfect ... but its audacity, ingenuity, and humor more than outweigh its flaws.” –
Under the Radar
Dec 11, 2015
Full Review
The Wannabe (2015)
43%
3.5/10
EDIT
“The Wannabe is too derivative for any insight, offering little more than tired tropes and bad accents.” –
Under the Radar
Dec 9, 2015
Full Review
Carol (2015)
94%
8/10
EDIT
“Carol uses satire as a mask which, once cast aside, leads to ... unspoken discussions on station, gender, sexuality, and identity.” –
Under the Radar
Dec 9, 2015
Full Review
Room (2015)
93%
8/10
EDIT
“Room is a tender observation of a mother/son relationship masquerading as a suspense film.” –
Under the Radar
Nov 16, 2015
Full Review
Suffragette (2015)
73%
5/10
EDIT
“Too often the film retreats from the complexity of its debates in favor of comprehension.” –
Under the Radar
Oct 26, 2015
Full Review
Bridge of Spies (2015)
91%
4.5/10
EDIT
“[The Coen Brothers'] token irreverence might be misplaced with Spielberg who veers into a Capraesque sanctimony that stops just short of jingoism.” –
Under the Radar
Oct 20, 2015
Full Review
Welcome to Leith (2015)
96%
6.5/10
EDIT
“Filmmakers Michael Beach Nichols and Christopher Walker's neutral observation ... provides a chilling blueprint of what someone even marginally less extreme might accomplish.” –
Under the Radar
Sep 9, 2015
Full Review
Southpaw (2015)
59%
4/10
EDIT
“An interesting premise and strong work by Gyllenhaal can't support a screenplay that repeatedly falls on its face through sports clichés and [vanishing] subplots.” –
Under the Radar
Jul 22, 2015
Full Review
Irrational Man (2015)
47%
6.5/10
EDIT
“A film replete with nihilism and dark, immoral actions is fleshed out with a vibrant color palette and a screenplay with razor sharp irony.” –
Under the Radar
Jul 17, 2015
Full Review
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