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The Sun Never Sets (2026) 92% 7/10 EDIT “The Sun Never Sets is a welcome return for Swanberg that shows he hasn’t missed a beat.” – Collider Mar 24, 2026 Full Review Sender (2026) 46% 5/10 EDIT “Goldman has a lot on his mind, but Sender sometimes feels like when you have too many ideas, and you try to say them all at once, but it comes out garbled and confusing.” – Collider Mar 24, 2026 Full Review The Saviors (2026) 60% 5/10 EDIT “The Saviors doesn’t have the nuance or the depth to explore its well-intentioned concept in any way other than in the most obvious, direct ways. ” – Collider Mar 23, 2026 Full Review Kill Me (2026) 100% 7/10 EDIT “While Kill Me doesn’t stick its landing, this is an impressive debut from Peter Warren, and it shows how well he can mix extremely dark subject matter with an engaging mystery that’s also quite funny.” – Collider Mar 22, 2026 Full Review Crash Land (2026) 100% 7/10 EDIT “Byrk’s feature debut is silly and goofy as hell, but also surprisingly sweet in its approach to this group of fledgling jackasses.” – Collider Mar 21, 2026 Full Review Brian (2026) 100% 8/10 EDIT “Brian isn’t just the best film out of this year’s SXSW — it’s one of the funniest films to come out this year so far.” – Collider Mar 20, 2026 Full Review Over Your Dead Body (2026) 73% 5/10 EDIT “Over Your Dead Body begins with a captivating premise centered on two playful actors pushing themselves and the roles we expect from them, only to be spoiled by a story that leans too far into the darkness.” – Collider Mar 20, 2026 Full Review Forbidden Fruits (2026) 74% 4/10 EDIT “Forbidden Fruits has the style and the look, but it lacks cohesion and focus; a film that doesn’t narratively hold together with a story that leaves far too much unanswered.” – Collider Mar 19, 2026 Full Review Pretty Lethal (2026) 58% 6/10 EDIT “This isn’t going to be the next John Wick, but it's certainly an enjoyable, often unexpectedly grisly action film and a solid way to spend 90 minutes.” – Collider Mar 19, 2026 Full Review Hokum (2026) 95% 7/10 EDIT “Hokum doesn’t overcomplicate itself, but rather, it sticks to the classics: strange figures moving in the dark, claustrophobic scenarios, and the old trusty jump scare. ” – Collider Mar 18, 2026 Full Review Ready or Not 2: Here I Come (2026) 75% 7/10 EDIT “Ready or Not 2: Here I Come throws us back into this universe now that we know the scale and possibilities of it, and goes absolutely wild with what can happen. ” – Collider Mar 14, 2026 Full Review Seekers of Infinite Love (2026) 6/10 EDIT “Einbinder, Reynolds, Gluck, and Theroux are appealing as a team, but Strouse doesn’t give them any weight on their own, which leaves this story feeling fairly one-dimensional. Seekers of Infinite Love will, unfortunately, leave you searching for more.” – Collider Mar 13, 2026 Full Review I Love Boosters (2026) 100% 8/10 EDIT “I Love Boosters is an adventure unlike anything you've ever seen before, proof that Boots Riley is one of our most adventurous filmmakers” – Collider Mar 13, 2026 Full Review Project Hail Mary (2026) 95% 9/10 EDIT “Project Hail Mary isn’t just a welcome return for Lord and Miller as film directors; it’s also the first great movie of 2026.” – Collider Mar 10, 2026 Full Review Hoppers (2026) 94% 8/10 EDIT “After 30 years and 30 films, Pixar continues to show that they can still surprise and create fantastic original stories with Hoppers.” – Collider Mar 2, 2026 Full Review The Napa Boys (2025) 57% 6/10 EDIT “If you accept The Napa Boys and this style of humor, it’ll be one of the strangest parodies you’ll ever see.” – Collider Feb 27, 2026 Full Review Scream 7 (2026) 31% 5/10 EDIT “Scream used to poke fun at the silliness of horror movies and laugh at the genre's clichés, but now, it’s indistinguishable from the films it once gleefully lampooned, in what is easily the worst installment so far.” – Collider Feb 27, 2026 Full Review Redux Redux (2025) 97% 7/10 EDIT “It’s a clever, ambitious take on the multiverse that focuses on the heart of what this possibility could mean, rather than getting stuck in the minutiae of that reality.” – Collider Feb 20, 2026 Full Review Psycho Killer (2026) 10% 4/10 EDIT “Psycho Killer is mostly a collection of overdone tropes and ridiculous choices, all centered around a bland horror villain who’s a composite of other, better killers. ” – Collider Feb 20, 2026 Full Review How to Make a Killing (2026) 44% 6/10 EDIT “How to Make a Killing is more interested in its "eat the rich" concept rather than making a solid thriller, and the difference can absolutely be felt.” – Collider Feb 18, 2026 Full Review In the Blink of an Eye (2026) 16% 5/10 EDIT “Even though it’s clear that Stanton wants to tell more ambitious stories in live-action spaces, In the Blink of an Eye posits that maybe he’s biting off more than he can chew. ” – Collider Feb 10, 2026 Full Review The Musical (2026) 59% 6/10 EDIT “While The Musical tries to lean into the frustration and anger of its main character, unlike Doug, the film’s main issue might be that it’s not mean-spirited and dark enough to entirely sell this story.” – Collider Feb 10, 2026 Full Review If I Go Will They Miss Me (2026) 96% 7/10 EDIT “Through Thompson-Hernández’s story, our characters create a surreal, imaginative take on a troubled childhood, full of heartbreaks, growth, and deeper understandings that we’re all just works in progress, regardless of age.” – Collider Feb 6, 2026 Full Review The Best Summer (2026) 85% 7/10 EDIT “Davis’ documentary isn’t necessarily much deeper than a travelogue for a band that featured some of the most important alt-rock artists of the 1990s, but The Best Summer doesn’t need to be more than that.” – Collider Feb 6, 2026 Full Review The Strangers: Chapter 3 (2026) 17% 3/10 EDIT “The Strangers: Chapter 3 is certainly the best segment of this frustrating story. But still, the best shit sandwich is still a shit sandwich.” – Collider Feb 6, 2026 Full Review
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