The Strangers: Chapter 3 (2026)
20%
1.5/5
EDIT
“Thankfully, the journey is over for now, and we can become strangers to this failed series, erasing it from our minds” –
Flickering Myth
Feb 7, 2026
Full Review
The Moment (2026)
62%
2.5/5
EDIT
“When the film is about artistic pressures, The Moment works, so it’s a shame that little else does, and no one who knew anything about the musician coming in will come away with anything more insightful, personally or professionally” –
Flickering Myth
Feb 5, 2026
Full Review
Whistle (2025)
61%
1.5/5
EDIT
“Director Corin Hardy (and screenwriter Owen Egerton) blew it: Whistle, which unquestionably rips off other familiar horror ideas to an embarrassing degree, is terrible” –
Flickering Myth
Feb 5, 2026
Full Review
Solo Mio (2026)
80%
3/5
EDIT
“The film marks a pleasant evolution in Kevin James’s talent, revealing a more sophisticated, softer, quieter, and emotional side” –
Flickering Myth
Feb 5, 2026
Full Review
Jimpa (2025)
55%
2.5/5
EDIT
“The longer Jimpa goes on, the more it feels overstuffed with plot concepts and thematic ideas that are either discarded or never cohere into anything profound” –
Flickering Myth
Feb 5, 2026
Full Review
Dracula (2025)
54%
2.5/5
EDIT
“The third act is by far the strongest aspect of Luc Besson’s #Dracula, as it wholeheartedly embraces doomed romanticism and expressions of centuries-long yearning. It’s a shame that the film doesn’t have much life until then
” –
Flickering Myth
Feb 3, 2026
Full Review
Pillion (2025)
100%
3.5/5
EDIT
“Erotic, amusing without condescension, and even sweet, Harry Lighton knows exactly what he wants to say about this kink scene, his characters, and what message to take” –
Flickering Myth
Feb 3, 2026
Full Review
Joybubbles (2026)
80%
3.5/5
EDIT
“The unorthodox method of human connection on display is uniquely moving, as the documentary consistently feels as if it’s covering something greater than one man hacking telephones: a defiance of loneliness, ableism, and trauma” –
Flickering Myth
Feb 2, 2026
Full Review
The Incomer (2026)
93%
3.5/5
EDIT
“Welcome The Incomer with open arms, it’s a laugh-riot with earned emotions” –
Flickering Myth
Feb 2, 2026
Full Review
Bedford Park (2026)
95%
3.5/5
EDIT
“Rarely does a film put as much thought and cultural complexity into why its central characters gravitate toward one another as co-editor/writer/director Stephanie Ahn’s Bedford Park ” –
Flickering Myth
Feb 2, 2026
Full Review
Carousel (2026)
70%
2.5/5
EDIT
“With far too many dreamlike montages of characters living their lives, some true messiness in the script, and perspective problems, Carousel gets stuck. The performances sometimes get it going again ” –
Flickering Myth
Feb 2, 2026
Full Review
Chasing Summer (2026)
67%
2/5
EDIT
“This mostly unfunny, far too broad, and rarely honest film never evolves beyond the joke of Iliza Shlesinger playing a walking disaster working in disaster relief” –
Flickering Myth
Feb 2, 2026
Full Review
Ha-Chan, Shake Your Booty! (2026)
92%
3/5
EDIT
“The dramatic beats don’t always click, but it is vibrantly acted with equally rising musical numbers and undeniable inventiveness” –
Flickering Myth
Feb 2, 2026
Full Review
Union County (2026)
100%
3/5
EDIT
“Adapting his short film into a narrative-docu-lite hybrid feature, writer/director Adam Meeks’ Union County is a sturdy story about the hardships of overcoming opioid addiction” –
Flickering Myth
Feb 2, 2026
Full Review
zi (2026)
75%
2/5
EDIT
“Aside from a couple of sweet moments here and there of authentic acting selling some of this connection alongside an inviting, picturesque depiction of Hong Kong, Zi is a meandering chore to get through” –
Flickering Myth
Feb 2, 2026
Full Review
BURN (2026)
3.5/5
EDIT
“A bleakly authentic look at an unexplored Japanese subculture with, at times, a documentary-reminiscent aesthetic, writer/director Makoto Nagahisa’s depressingly moving Burn doesn’t hold back in its depiction of "Toyoko kids"” –
Flickering Myth
Feb 2, 2026
Full Review
Fing! (2026)
3/5
EDIT
“Fing! Has an off-putting start, but by the end, there is a total fing-clipse of the heart
” –
Flickering Myth
Feb 2, 2026
Full Review
Take Me Home (2026)
94%
2.5/5
EDIT
“It is unquestionably authentically portrayed and lived-in with a vital perspective and approach to different forms of caretaking, but it takes narrative shortcuts that feel unearned” –
Flickering Myth
Feb 2, 2026
Full Review
Josephine (2026)
97%
4.5/5
EDIT
“Josephine is a shattering film in almost a million different ways, but one that sidesteps exploitation at every turn to consistently function as an engrossing, powerful look at both what trauma does to a child and their family” –
Flickering Myth
Jan 29, 2026
Full Review
Send Help (2026)
93%
2.5/5
EDIT
“Where this film eventually goes is diabolically fun with a legitimately terrific twist. Unfortunately, it needs help (either a rewrite or some cutting to a dull middle stretch of predictable mind games) to get there” –
Flickering Myth
Jan 29, 2026
Full Review
Pike River (2025)
83%
2.5/5
EDIT
“The film works much better when it sticks to community outrage” –
Flickering Myth
Jan 29, 2026
Full Review
Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026)
3.5/5
EDIT
“There are emotional moments capturing heavy moments of repatriations, and an overall optimistic outlook despite a dehumanizing history of being denied repeatedly ” –
Flickering Myth
Jan 29, 2026
Full Review
Shelter (2026)
63%
3/5
EDIT
“The latest from director Ric Roman Waugh and star Jason Statham, Shelter, is a fusion of their philosophies toward the action genre and what they do best ” –
Flickering Myth
Jan 29, 2026
Full Review
Everybody To Kenmure Street (2026)
100%
4/5
EDIT
“Everybody to Kenmure Street is a stirring look at what resistance looks like and what can be achieved through unity” –
Flickering Myth
Jan 29, 2026
Full Review
The Wrecking Crew (2026)
74%
2/5
EDIT
“All The Wrecking Crew does is repeatedly damage itself, destined to be another forgotten big-budget waste of algorithmic streaming space ” –
Flickering Myth
Jan 27, 2026
Full Review
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