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M Suganth

M Suganth's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Meiyazhagan (2024) 3/5 EDIT “Despite the potential for overblown melodrama inherent in the plot, in Meiyazhagan, Prem Kumar goes for a tone that’s somewhere between melancholy and heartwarming.” – The Times of India Oct 3, 2024 Full Review Thangalaan (2024) 4/5 EDIT “The magical realism in the final act does make us wonder how much of what's unfolding is happening inside Thangalaan's head, but Ranjith's refusal to spell it out is what makes the film singular.” – The Times of India Aug 16, 2024 Full Review Baak (2024) 40% 2.5/5 EDIT “Aranmanai 4 does what it intends to do — overwhelming us with kitsch and underwhelming us with its lack of imagination and originality, in utterly predictable, instantly forgettable and mildly entertaining fashion.” – The Times of India May 10, 2024 Full Review Pa.Paandi (2017) 100% 3.5/5 EDIT “There is an easygoing chemistry between him and Revathy, who lends Poonthendral charm that makes her instantly lovable. No wonder that the film soars in the portions where these two actors are seen together.” – The Times of India Jan 16, 2024 Full Review Sillu Karuppatti (2019) 100% 4/5 EDIT “She succeeds in style by giving us a feel-good film that leaves us smiling – and also feeling...” – The Times of India Jan 16, 2024 Full Review Oh My Kadavule (2020) 3.5/5 EDIT “It is this sensitivity that makes Oh My Kadavule refreshing...” – The Times of India Jan 16, 2024 Full Review Kadhalum Kadanthu Pogum (2016) 3.5/5 EDIT “When the filmmaking — full of breezy visuals (which are made more cheerful by the appearance of rain at crucial points), smooth segues, and expressive musical notes — is so understated and tasteful, what’s there to complain?” – The Times of India Jan 16, 2024 Full Review Ayalaan (2024) 33% 3.5/5 EDIT “Right when things seem to be getting a bit underwhelming, we get moments that are pretty exciting to longer too much on the things that don't work.” – The Times of India Jan 12, 2024 Full Review Danny (2020) 1.5/5 EDIT “The director seems to have left it to his lead actress to make this simplistic writing work. But Varalaxmi, who looks the part, cannot do much because her character isn’t fleshed out well. ” – The Times of India Jan 11, 2024 Full Review Ka Pae Ranasingam (2020) 83% 3/5 EDIT “The final twist, which should have come as a sucker punch, leaves us feeling less moved that we should be.” – The Times of India Jan 11, 2024 Full Review Bhoomi (2021) 0% 2/5 EDIT “Bhoomi and Richard are involved in a cat-and-mouse game, but one that is hardly compelling.” – The Times of India Jan 10, 2024 Full Review Saamanyudu (2022) 20% 3/5 EDIT “Barring a fight inside a bar, the other action scenes feel less impactful and too generic.” – The Times of India Jan 10, 2024 Full Review Annapoorani (2023) 3/5 EDIT “The inherent inspirational element in the plot ensures that we stay rooted in our seats and the director ensures that there's something entertaining in the scenes...” – The Times of India Dec 7, 2023 Full Review Tegimpu (2023) 44% 3/5 EDIT “When the film turns into a logic-defying chase on the sea, we begin to wonder if guts alone can be enough for glory.” – The Times of India Nov 16, 2023 Full Review Siruvan Samuel (2023) 3/5 EDIT “The film's earnestness to provide a unique experience turns out to be its trump card that counterbalances its flaws.” – The Times of India Nov 16, 2023 Full Review Maamannan (2023) 60% 3/5 EDIT “...by the time that it ends, it turns into something more — a saga that is quietly affecting.” – The Times of India Nov 2, 2023 Full Review Vendhu Thanindhathu Kaadu (2022) 100% 3/5 EDIT “A terrific Silambarasan shoulders an uneven gangster saga...” – The Times of India Nov 2, 2023 Full Review Viruman (2022) 2/5 EDIT “Selvakumar SK's visuals have the oft-seen colour palette found in contemporary rural films while Yuvan Shankar Raja contributes with a couple of catchy songs and a score that just about works.” – The Times of India Nov 2, 2023 Full Review A Star Shoots Across the Sky (2022) 100% 3.5/5 EDIT “This blending of forms actually gives the film a vibe that is very new-age (like Tenma's unconventional songs and score) and makes it an experience that shouldn't be missed.” – The Times of India Nov 2, 2023 Full Review Irugapatru (2023) 3/5 EDIT “Complaints aside, the film remains engaging for the most part, and leaves us with the warm, fuzzy feeling that well-made feel-good films provide us. And that is Yuvaraj's success here as a filmmaker.” – The Times of India Nov 1, 2023 Full Review Kaithi (2019) 100% 3.5/5 EDIT “If there is a fault, it is that the film feels overlong for its genre, with a couple of action blocks getting over-indulgent. But when it is action that we have signed up for, we cannot complain much about that.” – The Times of India Oct 9, 2023 Full Review Bigil (2019) 71% 3/5 EDIT “Even if the film reinforces the male saviour complex, you feel glad when a female character, an acid attack survivor, gets the loudest cheer.” – The Times of India Oct 9, 2023 Full Review Chandramukhi 2 (2023) 2.5/5 EDIT “Those who just want a momentary diversion might find it passable while those looking for something more will feel underwhelmed.” – The Times of India Oct 6, 2023 Full Review Chithha (2023) EDIT “There's a hitherto unseen intensity and grittiness in Siddharth's performance while Nimisha Sajayan makes a confident debut.” – The Times of India Sep 29, 2023 Full Review Maaveeran (2023) 100% 3/5 EDIT “Despite losing some of its punch, the film remains engaging till the end.” – The Times of India Jul 20, 2023 Full Review
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