Joshua Minsoo Kim
Tomatometer-approved critic
Pacifiction (2022)
88%
EDIT
“Ultimately, the film’s greatest feat is in providing moments for delightful reverie through its sumptuous visuals while constantly making clear the colonialist reality of the island...” –
Chicago Reader
Feb 17, 2023
Full Review
Anonymous Club (2021)
86%
EDIT
“These raw depictions of one’s everyday mental health struggles are occasionally stirring, but Anonymous Club rarely aims to be anything more than that.” –
In Review Online
Jul 15, 2022
Full Review
My Love Affair with Marriage (2022)
90%
EDIT
“...its ideas are too shallow to be stimulating, and both its scientific passages and animation styles try but fail to paper over that reality. ” –
In Review Online
Jun 18, 2022
Full Review
Naked Gardens (2022)
60%
EDIT
“Bresnan & Lucas’ approach to cinéma vérité is ultimately lazy, bereft of any imagination or creativity to instill their images with anything beyond banal pseudo-profundity.” –
In Review Online
Jun 15, 2022
Full Review
Mother and Son (2022)
83%
EDIT
“What’s upsetting about Mother and Son's constant desire for every action to have a point is that everything feels too labored.” –
In Review Online
May 30, 2022
Full Review
Little Nicholas (2022)
94%
EDIT
“Little Nicholas — Happy as Can Be’s biggest fault is that it’s never as purely pleasurable as the material it draws from.” –
In Review Online
May 28, 2022
Full Review
Getting It Back: The Story of Cymande (2022)
70%
EDIT
“Mackenzie-Smith is far more interested in blandly explaining obvious revelations than actually revealing them through the strength of images and song.” –
In Review Online
Mar 14, 2022
Full Review
The Novelist's Film (2022)
100%
EDIT
“In following his own path, and in finding confidence to simply document life, Hong has found a rejuvenating joy thats extended his creative appetite and is palpably life-affirming.” –
In Review Online
Feb 24, 2022
Full Review
The United States of America (2022)
EDIT
“Theres an impressiveness to the deceit he employs, and its a delight to see Benning deploy a longform gag, but most important is how it highlights the truth underlining the entire movie.” –
In Review Online
Feb 22, 2022
Full Review
We Met in Virtual Reality (2022)
94%
EDIT
“The ultimate joy of [We Met in Virtual Reality] is how it never removes the viewer from the epistemological reality of those onscreen.” –
In Review Online
Jan 26, 2022
Full Review
TikTok, Boom. (2022)
72%
EDIT
“There are far too many ideas tackled, and all have been written about countless times ... watching this feels like speed-reading any dozen articles about the app from the past few years.” –
In Review Online
Jan 24, 2022
Full Review
The Velvet Queen (2021)
100%
EDIT
“The Velvet Queen is instructive ... in having viewers embrace the beauty of a mode of thinking where humans don't have supremacy over the rest of the world.” –
In Review Online
Dec 21, 2021
Full Review
Isolation (2021)
67%
EDIT
“Isolation never gets past its gimmick, as contrived premises are shoehorned and presented without nuance, failing to capture any real emotions or experiences.” –
In Review Online
Nov 24, 2021
Full Review
Three Minutes - A Lengthening (2021)
100%
EDIT
“Three Minutes ultimately serves as an adept filmic take on the book it's informed by, functioning as an important, loving memorial.” –
In Review Online
Nov 16, 2021
Full Review
The Killing of Two Lovers (2020)
93%
EDIT
“Robert Machoian constructs a difficult balance between simple-yet-impressive visual techniques and more frenzied audio compositions to drive an underwhelming narrative.” –
In Review Online
Jun 6, 2021
Full Review
Decade of Fire (2019)
100%
3/4
EDIT
“Decade of Fire's purpose is to make known how those in the Bronx must continue to fight even today against forces hellbent on their erasure.” –
Slant Magazine
May 1, 2019
Full Review
Kraben rahu (2018)
100%
3/4
EDIT
“Manta Ray functions as an oblique portrait of writer-director Phuttiphong Aroonpheng's anger about the Rohingya refugee crisis in Thailand.” –
Slant Magazine
Mar 27, 2019
Full Review
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