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Jasmine Lim

Jasmine Lim's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Invisible Man (2020) 92% 3.5/5 EDIT “[Elizabeth] Moss... is superb and convincing as a woman suffering from psychological anguish.” – The New Paper (Singapore) Feb 26, 2020 Full Review The Last Full Measure (2019) 62% 2.5/5 EDIT “[T]he movie ultimately bites off more than it can chew, and its excessive use of flashbacks makes for a rather disjointed watch that will truly test your patience.” – The New Paper (Singapore) Feb 12, 2020 Full Review The Lighthouse (2019) 90% 4/5 EDIT “Plodding narrative aside, this study of how a lack of intimacy and boredom can manifest in insanity is a must-watch for arthouse cinema lovers.” – The New Paper (Singapore) Jan 29, 2020 Full Review Enter the Fat Dragon (2020) 64% 3/5 EDIT “The star of the Ip Man franchise also delivers witty dialogue with flair and manages to endear a somewhat unlikable character to audiences.” – The New Paper (Singapore) Jan 24, 2020 Full Review Weathering With You (2019) 91% 4/5 EDIT “Weathering With You may throw adult audiences into an exquisitely existential mood, a testament to its triumph as a coming-of-age story that grapples with notions of love and loss.” – The New Paper (Singapore) Sep 11, 2019 Full Review The Angry Birds Movie 2 (2019) 72% 3/5 EDIT “The movie is silly and the humour hardly elegant, but it manages to draw laughs anyway. The plot is unquestionably simple, yet there are parts that are wildly imaginative and enjoyable.” – The New Paper (Singapore) Sep 4, 2019 Full Review The Bravest (2019) 3.5/5 EDIT “The Bravest's jaw-dropping CGI is its true highlight.” – The New Paper (Singapore) Sep 4, 2019 Full Review Money (2019) 67% 3.5/5 EDIT “Money successfully depicts the drug-like high of chasing fool's gold and has the ability to lure the audience into its narcotic haze.” – The New Paper (Singapore) Aug 14, 2019 Full Review Teen Spirit (2018) 73% 2.5/5 EDIT “Fanning is adequate but something also rings rather hollow, and she lacks the charisma needed to draw the audience in. Instead, it is Buric's poignant, raw take that gives Teen Spirit its emotional depth.” – The New Paper (Singapore) May 9, 2019 Full Review King of Thieves (2018) 31% 2/5 EDIT “What King Of Thieves truly manages to do is to rob you of almost two hours of your time.” – The New Paper (Singapore) May 9, 2019 Full Review The Curse of La Llorona (2019) 26% 2/5 EDIT “Originality is not its forte, as all it does is stitch together popular and time-tested horror movie tropes and stick a new title on it.” – The New Paper (Singapore) Apr 25, 2019 Full Review After (2019) 18% 2/5 EDIT “The performances are spotty and half-hearted, even the most serious of lines are laughable.” – The New Paper (Singapore) Apr 18, 2019 Full Review Missing Link (2019) 88% 3.5/5 EDIT “This charming family film is also a lesson in friendship, empathy and identity. And on a deeper level, a witty and deft dismantling of British colonialism.” – The New Paper (Singapore) Apr 11, 2019 Full Review The Highwaymen (2019) 58% 2.5/5 EDIT “The Highwaymen is slow-moving and the dialogue is forgettable.” – The New Paper (Singapore) Apr 3, 2019 Full Review P Storm (2019) 3/5 EDIT “Raymond Lam's enigmatic villain who steals the show.” – The New Paper (Singapore) Apr 3, 2019 Full Review Dragged Across Concrete (2018) 76% 3/5 EDIT “Gibson returns to the big screen to play yet another cop with a questionable mental state, delivering a performance that is steady and restrained.” – The New Paper (Singapore) Mar 27, 2019 Full Review The Kid Who Would Be King (2019) 90% 4/5 EDIT “Such a heartwarming and well-made movie does not often come around, and this is one both young ones and adults will enjoy.” – The New Paper (Singapore) Mar 20, 2019 Full Review The Hummingbird Project (2018) 57% 2.5/5 EDIT “The Hummingbird Project gets too esoteric for its own good.” – The New Paper (Singapore) Mar 20, 2019 Full Review At Eternity's Gate (2018) 79% 4/5 EDIT “At Eternity's Gate transforms itself into a painting in its own right that the late artist would have been proud of.” – The New Paper (Singapore) Mar 13, 2019 Full Review Triple Frontier (2019) 71% 3/5 EDIT “The talented cast elevates a decidedly average plot to one that is worth catching.” – The New Paper (Singapore) Mar 13, 2019 Full Review Happy Death Day 2U (2019) 73% 3/5 EDIT “Ironically, all the plot holes, illogical writing, repetitiveness and heavy reliance on slapstick shtick miraculously work in its favour.” – The New Paper (Singapore) Feb 27, 2019 Full Review A Dog's Way Home (2019) 59% EDIT “There is no great epiphany; just a series of tedious, repetitive depictions of Bella yearning for family.” – The New Paper (Singapore) Feb 20, 2019 Full Review Cold Pursuit (2019) 68% EDIT “With the clever use of dark humour and good casting, Cold Pursuit is an entertaining and compelling take on your good old revenge story.” – The New Paper (Singapore) Feb 20, 2019 Full Review Destroyer (2018) 74% 3.5/5 EDIT “The film still deserves praise for its portrayal of the tenuous relationship between Bell and her wayward daughter.” – The New Paper (Singapore) Feb 12, 2019 Full Review The Knight of Shadows: Between Yin and Yang (2019) 3.5/5 EDIT “Chan oozes an easy, effortless, impish charm, reminding us why he remains a firm family favourite.” – The New Paper (Singapore) Jan 31, 2019 Full Review
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