Spilt Milk (2024)
4/5
EDIT
“Brian Durnin’s debut morphs at this point from a Roddy Doyle-ish sweet-and-salty setup, to a grittier loss-of-innocence drama... it just about holds things in place during this tonal shift, largely thanks to anchoring in the cast...” –
Irish Independent
Mar 24, 2026
Full Review
La Grazia (2025)
85%
4/5
EDIT
“Rarely do filmmaker and lead feel so mutually entwined, and while it could be argued there’s only so many times Servillo can essay a tormented Sorrentino statesman, it’s a dance that’s always worth turning up for.” –
Irish Independent
Mar 19, 2026
Full Review
The Love That Remains (2025)
94%
4/5
EDIT
“Godland writer-director Hlynur Palmason is never afraid to momentarily turn his screenplay into an art installation, meaning that while absurdist and filled with novel characterisation, he doesn’t half shy away from self-indulgence. ” –
Irish Independent
Mar 12, 2026
Full Review
Project Hail Mary (2026)
95%
5/5
EDIT
“And given that this is “hard sci-fi”...there’s something especially apt about how this new film aligns inspiration and formula, brains and fun, humour and high stakes in exacting ratios so that big-screen gold is alchemised before us.” –
Irish Independent
Mar 12, 2026
Full Review
Hoppers (2026)
94%
3/5
EDIT
“Flying sharks, multi-species councils and maniacal caterpillars – it all gets just a bit too hare-brained, and that’s even within the parameters of its sci-fi flourishes. Big and fun, perhaps, but unusually dumb for Pixar.” –
Irish Independent
Mar 9, 2026
Full Review
Báite (2025)
3.5/5
EDIT
“While guilty of slipping into melodrama in its final passages, Báite is serviceable genre fare with a committed cast ably led by O’Brien and the ever-dextrous Dunford.” –
Irish Independent
Mar 9, 2026
Full Review
Sirāt (2025)
91%
4/5
EDIT
“Sirat is visually and aurally striking and wields a remarkably heightened mythological waft somewhere between Sorcerer and Fury Road.” –
Irish Independent
Feb 26, 2026
Full Review
EPiC: Elvis Presley in Concert (2025)
97%
4/5
EDIT
“Luhrmann’s film is a jamboree that succeeds in ways that his 2022 biopic couldn’t, harmonising the director’s customary flourish with that of his subject.” –
Irish Independent
Feb 26, 2026
Full Review
The Secret Agent (2025)
98%
5/5
EDIT
“Filho gives every dotty fringe character or setup all the time they need, and the effect, while a lengthy 160 minutes, is one of deep and heady immersion, like walking through a collective memory.” –
Irish Independent
Feb 19, 2026
Full Review
Crime 101 (2026)
89%
3/5
EDIT
“The car chases are a little undercooked and the payoff in the finale might not be quite worth the ticket fare, but that all-star cast as well as some flavoursome LA-noir tension is where ground is made up.” –
Irish Independent
Feb 12, 2026
Full Review
It's Never Over, Jeff Buckley (2025)
98%
4/5
EDIT
“Rather than reams of talking heads giving their two cents, Amy Berg wisely frames her gilded documentary scrapbook around the women in [Jeff Buckley's] life, from mother Mary Guibert to Buckley’s romantic partners. ” –
Irish Independent
Feb 12, 2026
Full Review
My Father's Shadow (2025)
97%
4/5
EDIT
“In his Cannes-winning feature debut, [Akinola Davies] has crafted something quite special, and nails that elusive trick of finding the universal in the particular.” –
Irish Independent
Feb 6, 2026
Full Review
Send Help (2026)
93%
EDIT
“This corporate take on Lord of the Flies (blatantly foreshadowed by the discovery of a conch shell early on) is unlikely to surge Raimi back to the top tier, but he and writers Damian Shannon and Mark Swift have terrific fun where the premise allows.” –
Irish Independent
Feb 4, 2026
Full Review
Song Sung Blue (2025)
77%
4/5
EDIT
“Jackman and Hudson are a dream combo in a story that isn’t afraid to take us to dark and difficult junctures.
” –
Irish Independent
Jan 2, 2026
Full Review
Marty Supreme (2025)
93%
5/5
EDIT
“[Timothée Chalamet] is outstanding as the never-say-die anti-hero you’ll want to both cheer on and strangle, often in the space of a single scene.” –
Irish Independent
Jan 2, 2026
Full Review
David Bowie: The Final Act (2025)
70%
3/5
EDIT
“...Stiasny’s more conventional documentary sometimes struggles to keep its feet on the ground, neither comprehensive enough to be a rounded career retrospective, nor cleanly focused enough on that final journey towards Blackstar.” –
Sunday Independent (Ireland)
Dec 30, 2025
Full Review
Sentimental Value (2025)
95%
5/5
EDIT
“...[Stellan Skarsgård's] performance here as the incorrigible, impatient movie helmsman who struggles outside the ordered hierarchy of a film set, is a delicate and vulnerable turn that will remind the world why is truly one of the greats.” –
Irish Independent
Dec 30, 2025
Full Review
Goodbye June (2025)
64%
4/5
EDIT
“You’d need to be hard of heart to discard this star-studded hymn that salutes not only the malleability of family bonds but also the incredible staff on our hospital floors (take a bow, Fisayo Akinade, as June’s nurse).” –
Sunday Independent (Ireland)
Dec 16, 2025
Full Review
Silent Night, Deadly Night (2025)
77%
3/5
EDIT
“It mightn’t win awards, but it lands moments of daft mayhem, especially when writer-director Mike P. Nelson camps it up.” –
Sunday Independent (Ireland)
Dec 16, 2025
Full Review
Eleanor the Great (2025)
66%
3/5
EDIT
“A pretty decent way for Johansson to open her directorial account, all told.” –
Sunday Independent (Ireland)
Dec 12, 2025
Full Review
Ella McCay (2025)
24%
2/5
EDIT
“What begins as an old-school character study of a woman breaking through the patriarchy through hard work and gumption turns into a muddled, unfocused caper that seems to be constantly bailing out water. A big mess.” –
Sunday Independent (Ireland)
Dec 12, 2025
Full Review
It Was Just an Accident (2025)
98%
5/5
EDIT
“Any semblance of a bemusing road-trip drama about possible mistaken identity turns into an altogether darker commentary on state repression, torture and trauma. As only Panahi can do.” –
Sunday Independent (Ireland)
Dec 4, 2025
Full Review
Horseshoe (2025)
3.5/5
EDIT
“Some scenes do veer close to jumping the shark, but it makes great use of a committed cast and sweeping Sligo backdrops.” –
Sunday Independent (Ireland)
Dec 4, 2025
Full Review
Blue Moon (2025)
90%
4/5
EDIT
“Even for a filmmaker as prone to nostalgia as Linklater, Blue Moon luxuriates in a golden-age patina before showing us that it was still a realm of broken dreams, disillusionment and merciless market whims.” –
Sunday Independent (Ireland)
Dec 3, 2025
Full Review
Zootopia 2 (2025)
91%
4/5
EDIT
“Whip-smart, cannily tooled, and littered with winks at Hollywood classics (everything from Ratatouille to The Shining), this humdinger from Jared Bush and Byron Howard is a big fat win for the Mouse House.” –
Sunday Independent (Ireland)
Dec 3, 2025
Full Review
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