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Derrick Murray

Tomatometer-approved critic
Biography:

Derrick Murray is a Los Angeles based film critic for Nerdbot and Content Producer for ForReel. He has covered numerous film festivals including Sundance, TIFF, SXSW and Venice and was previously selected for the TIFF Media Inclusion Initiative. He can always be found watching movies in a theater with a large popcorn.

Reviews

Movies TV Shows
Tow (2025) 77% 5/10 EDIT “Tow does just enough tow the line (pun intended) across its finish, resting on Byrne’s undeniable presence and necessary foundation of struggle and fighting the good fight...[it] almost gets there but ultimately fails to have its day in court.” – That Hashtag Show Mar 24, 2026 Full Review Obsession (2025) 98% EDIT “Baker also knows how to maximize minimalism. The film smartly hides its small budget by balancing the thrills and chills with crowd-pleasing amusement and skillfully executed ick.” – That Hashtag Show Mar 24, 2026 Full Review Poetic License (2025) 92% EDIT “Poetic License is powered by its sharp humor, confident direction, and an excellent comedic duo. Like most Apatow films, it putters out by the third act...but it succeeds far more often than it fails to restore the raunchy comedy back to its former glory.” – That Hashtag Show Mar 24, 2026 Full Review THE BRIDE! (2026) 57% EDIT “I guess it all just boils down to simply this: The Bride isn’t a good movie by any stretch, but it’s strangely one I enjoyed more than it deserves, and I don’t regret watching it. It’s a vibe, and you should never apologize for what you vibe with.” – NERDBOT Mar 24, 2026 Full Review Project Hail Mary (2026) 94% 4/5 EDIT “We DO come to this place for magic, and even with a some missteps along the way, Project Hail Mary successfully launches audiences into space, taking us all on a magical journey worth seeing on the big screen. (Project) Hail Mary full of Grace, indeed. ” – NERDBOT Mar 24, 2026 Full Review The Only Living Pickpocket in New York (2026) 100% EDIT “From its grainy aesthetic to its life passed you by core, The Only Living Pickpocket in New York is the best kind of ‘they don’t make ’em like they used to’ cinema. ” – That Hashtag Show Mar 7, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 91% 3.5/5 EDIT “By order of the fookin’ Peaky Blinders, "Peaky Blinders: The Immortal Man" is pretty good.” – NERDBOT Mar 7, 2026 Full Review Touch Me (2025) 88% EDIT “Heiman really goes for it...approaching the bizarre sexual sci-fi material as if rules and restrictions don’t exist. It often loses its way as...But its style is enough to carry it past some of its substance weaknesses...” – That Hashtag Show Mar 3, 2026 Full Review Alpha (2025) 57% EDIT “...it pains me to say that Alpha is [Ducournau's]first major misfire...great performances and excellent visuals aren’t enough to save this overwrought and maddeningly tedious watch.” – That Hashtag Show Mar 3, 2026 Full Review Late Shift (2025) 96% 4.5/5 EDIT “The message is clear: we need more nurses and we need to treat our healthcare workers better. It may sound obvious, but Late Shift is a strong reminder that those simple realities have been sadly forgotten and most certainly overlooked.” – That Hashtag Show Mar 3, 2026 Full Review Dreams (2025) 52% EDIT “Dreams may have some good intentions, but the road to hell is paved with them and I think it takes a wrong turn on the highway. I think Chastain and Franco should see other people.” – That Hashtag Show Feb 26, 2026 Full Review Yellow Letters (2026) 82% 4/5 EDIT “...it serves a rallying cry for change...what happens when we lose art and artists to state control propaganda machines. We all want to save the world, and Yellow Letters asks us how much are we willing to lose to be the change we want to see.” – That Hashtag Show Feb 26, 2026 Full Review Redux Redux (2025) 97% 4/5 EDIT “Emotionally intelligent, violent, and armed with an excellent premise, "Redux Redux" is the kind of film that is full of surprises and an engaging grit that keeps you locked in until the final frame.” – NERDBOT Feb 18, 2026 Full Review How to Make a Killing (2026) 44% EDIT “"How To Make a Killing" is potential squandered, doing just enough to get by but not enough to really leave its mark...There is fun to be had, just not enough.” – NERDBOT Feb 18, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% 3.5/5 EDIT “ "Good Luck, Have Fun, Don’t Die" is a big old mess of a movie, with so many ideas streaming from its wires it’s hard to make sense of it all. It doesn’t all work, but it is so relentlessly entertaining it’s hard to not enjoy yourself.” – NERDBOT Feb 15, 2026 Full Review Crime 101 (2026) 89% 3.5/5 EDIT “At its best, it is a well crafted cat and mouse story with plenty of riveting highs that solidifies itself as your dad’s new favorite film... At its worse, it’s diet "Heat," retreading many of those same beats so often it loses its own identity.” – NERDBOT Feb 12, 2026 Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 80% 4/5 EDIT “"The AI Doc: Or How I Became an Apocaloptimist" is one of the best documentaries at Sundance and an absolute must see for everyone. It timely, urgent, and funny all in equal measure and is impossible to come away from without some kind of impact.” – NERDBOT Feb 10, 2026 Full Review If I Go Will They Miss Me (2026) 96% 4.5/5 EDIT “…a truly profound film and combined with its beautiful imagery, magnificent score and assured direction, "If I Go Will They Miss Me" is the first great film of the year.” – NERDBOT Feb 10, 2026 Full Review undertone (2025) 72% 4/5 EDIT “"Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again.” – NERDBOT Feb 10, 2026 Full Review The Gallerist (2026) 54% EDIT “A deeply unserious and cartoonishly satirical sledgehammer to the art world filled with over the top characters, campy dialogue, hyper stylized camera work and a largely single setting location.I genuinely love all of that in cinema...” – NERDBOT Jan 28, 2026 Full Review The Shitheads (2026) 72% 3.5/5 EDIT “"Shitheads" is a whole lot of fun if you’re willing to let it take you on the ride, but can be truly insufferable if you’re not in the car.” – NERDBOT Jan 28, 2026 Full Review Buddy (2026) 83% EDIT “"Buddy" is bloody, fun, and laugh out loud funny, knowing when to turn that dial to demented levels that is sure to delight audiences. I don’t know that it all works...but "Buddy" get’s more and more fun the weirder and weirder it gets.” – NERDBOT Jan 26, 2026 Full Review I Want Your Sex (2026) 88% 4/5 EDIT “A sledgehammer to the ever-growing online prudery of younger generations, Araki imbues his signature style to destroy the exhausting online discourse of sex in movies.” – NERDBOT Jan 26, 2026 Full Review Tuner (2025) 94% 4.5 out 5 EDIT “"Tuner..."is convention done right, sticking to the proven formulas of crime capers and simultaneously giving you everything you know while also giving you something that feels fresh and unique.” – NERDBOT Jan 23, 2026 Full Review Greenland 2: Migration (2026) 49% EDIT “More a character study and bit more melodramatic than its propulsive predecessor, [it's] still a worthy successor to an underrated success, one that is sure to be satisfactory for fans even if it at times feels like a retread of diminishing returns.” – NERDBOT Jan 11, 2026 Full Review
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