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Danielle Burgos

Danielle Burgos's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Cunningham (2019) 89% EDIT “A flawed but tangible document of a passed era.” – Screen Slate Sep 25, 2019 Full Review Atlantics (2019) 96% EDIT “Diop and the film's non-professional actors work together to build something carefully balanced.” – Screen Slate Sep 25, 2019 Full Review Diamantino (2018) 87% EDIT “Slapping together hot-button topics into a sub-Lubischian plot, the self-consciously zany Diamantino squeaks by on charm.” – Screen Slate Jun 26, 2019 Full Review Sorry to Bother You (2018) 93% EDIT “It's a blatantly handcrafted film that's overall obvious and muddles its message ... but skates by on its unique charm and earnest message (ultimately a more militant one, amen).” – Screen Slate Mar 5, 2019 Full Review Relaxer (2018) 68% EDIT “Occasionally the sweet release of game footage relieved my eyes from the palpable, accumulating filth and suffocating location.” – Screen Slate Mar 5, 2019 Full Review Dreadnaught (1981) 80% EDIT “The plot flips between genres and set pieces nimbly as any of the actors across screen.” – Screen Slate Mar 5, 2019 Full Review If Beale Street Could Talk (2018) 95% EDIT “Jenkins performs a miracle avoiding bathos while baring raw emotion, presenting the cruelty of the world and its bitter fruit without dulling the love that makes living worthwhile.” – Screen Slate Mar 2, 2019 Full Review Border (2018) 97% EDIT “The film's otherworldly elements never feel too fantastical, grounded by Eva Melander giving genuine heft to Tina's emotional journey.” – Screen Slate Mar 2, 2019 Full Review Roma (2018) 96% EDIT “Stories like [Cleo's] are often erased from history, and it is a painful joy to see them told with dignity and loving detail.” – Screen Slate Mar 2, 2019 Full Review The Truth About Killer Robots (2018) 64% EDIT “Is it too much to ask filmmakers to do a modicum of research on a subject before presenting their case?” – Screen Slate Mar 2, 2019 Full Review Ash Is Purest White (2018) 99% EDIT “It's like The Giving Tree of gangster films.” – Screen Slate Mar 2, 2019 Full Review Killing (2018) 100% EDIT “It wouldn't be a Tsukamoto film without entangled brutality and sexuality, frustrations taken out in furtive masturbation, physical assault as lust, and other attacks on the flesh.” – Screen Slate Mar 2, 2019 Full Review Long Day's Journey Into Night (2018) 95% EDIT “Long Day's Journey Into Night has been declared a masterpiece before most audiences have had a chance to see it, but that does disservice to Bi Gan's risk-taking in what's only his second feature.” – Screen Slate Mar 2, 2019 Full Review
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