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Chance Solem-Pfeifer

Chance Solem-Pfeifer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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The Lathe of Heaven (1980) EDIT “The vision is strangely convincing. This adaptation employs precious few exterior shots—and a lot of rain outside dark windows—to cultivate both empty grandeur and claustrophobia.” – Willamette Week Feb 6, 2026 Full Review Alma & the Wolf (2025) EDIT “The muddled ambition to metaphorize the characters’ psychic damage into monsters but then literalize all the results into a thuddingly plotted mystery strands us miles away from the movie’s greatest strength: a well-lit wolf puppet haunting the beach. ” – Willamette Week Jan 29, 2026 Full Review Devil in a Blue Dress (1995) 92% EDIT “Denzel Washington’s wildly underrated turn as a 1950s Los Angeles sleuth finds the two-time Oscar winner operating at peak charisma and weaving through a morass of noirisms—gangsters, political conspiracies, femmes fatales.” – Willamette Week Jan 29, 2026 Full Review Cronos (1993) 88% EDIT “[It's] a pleasure to see del Toro work out his early ambitions in a world he didn’t design.” – Willamette Week Jan 22, 2026 Full Review 12 Monkeys (1995) 88% EDIT “[12 Monkeys] will it not make you feel better about pretty much anything. But it’s a feast for thought.” – Willamette Week Jan 14, 2026 Full Review Swan Song (2021) 92% EDIT “Every gesture captivates: Pat’s labored but proud gait on the roadside, the roughly 100 More cigarettes he ignites, Kier’s impossibly watery stare washing over every other character’s face.” – Willamette Week Jan 10, 2026 Full Review Only Lovers Left Alive (2013) 86% EDIT “For being such a cool movie, there is something shockingly lame and relatable about a vampire just sinking down the rabbit hole of his pet interests, collecting rare guitars, and remixing his own compositions into oblivion. ” – Willamette Week Dec 30, 2025 Full Review Silent Night, Deadly Night (1984) 55% EDIT “It really is the movie’s fearlessly exploitive emotional and physical violence that cements its all-time placement in the Evil Santa canon.” – Willamette Week Dec 18, 2025 Full Review Big Trouble in Little China (1986) 71% EDIT “Directed by John Carpenter during one of the great filmmaking hot streaks of all time, Big Trouble is a rarely seen kind of action comedy—neither spoof nor satire and containing not a single moment of genuine sentiment. ” – Willamette Week Dec 12, 2025 Full Review The Abyss (1989) 75% EDIT “Not only is the Special Edition the best way to watch The Abyss, but also the most authoritative. ” – Willamette Week Dec 5, 2025 Full Review Train Dreams (2025) 95% EDIT “Given the scope, Bentley could so easily crank up the epic melodrama, but the best feature of Train Dreams is its commitment to serving Johnson’s prose through slippery understatement.” – Willamette Week Dec 3, 2025 Full Review Carol (2015) 94% EDIT “Haynes deserves extra credit for turning Blanchett’s acting superpower—resting sphinx face—into the totemic image and attitude of an entire movie.” – Willamette Week Dec 3, 2025 Full Review Kiki's Delivery Service (1989) 98% EDIT “All the little unassailable touches of Miyazaki’s world-building enrich the experience.” – Willamette Week Dec 3, 2025 Full Review Basket Case (1982) 78% EDIT “Like most other Henenlotter movies, Basket Case is beloved by horror heads in the know for its scrappy execution, darkly comedic exploitation, and gonzo manifestation of otherwise thought-provoking themes. ” – Willamette Week Nov 19, 2025 Full Review Death Wish 3 (1985) 14% EDIT “Its unintentional hilarity and ham-handed directing could never be replicated.” – Willamette Week Nov 14, 2025 Full Review The Beyond (1981) 75% EDIT “One of the precious few spaghetti Southern gothics, The Beyond is Italian horror maestro Lucio Fulci at his gory, hypnotic best. ” – Willamette Week Oct 22, 2025 Full Review Re-Animator (1985) 88% EDIT “Re-Animator expertly rides the line between genuinely disturbing and darkly comedic. With respect to its mischievous score and gonzo practical effects, most of that tonal tightrope-walking is embodied in horror icon Jeffrey Combs’ breakout performance. ” – Willamette Week Oct 15, 2025 Full Review Cure (1997) 94% EDIT “Cure is a master class in using eminently available filmmaking techniques to revolutionize the oldest cop story in the book.” – Willamette Week Oct 15, 2025 Full Review Tremors (1990) 89% EDIT “Tremors is a great reminder that even the larkiest genre movies can be craft-rich.” – Willamette Week Oct 3, 2025 Full Review Dogtooth (2009) 94% EDIT “This is lo-fi unhinged Lanthimos, but like all his movies, Dogtooth exists somewhere between allegory and comedic exaggeration.” – Willamette Week Sep 24, 2025 Full Review Diner (1982) 92% EDIT “Never did the decade of peak “men were men” get a clearer retroactive treatment of men being overgrown boys than Barry Levinson’s Diner.” – Willamette Week Sep 19, 2025 Full Review Submarine (2010) 88% EDIT “The formative moments of Oliver’s coming of age fly past in a nearly 90-minute montage of memories, hypotheticals, and swooping handheld cinematography.” – Willamette Week Sep 6, 2025 Full Review Thirst (2009) 81% EDIT “In Park’s hands, the vampire’s sensuous power is immediately an ironic torment. ” – Willamette Week Aug 28, 2025 Full Review Night of the Juggler (1980) 94% EDIT “There’s an attempted witness interrogation through a polygonal glass peepshow box in Times Square so dizzying it’s worth the price of admission alone.” – Willamette Week Aug 20, 2025 Full Review Notting Hill (1999) 84% EDIT “When you watch Notting Hill now 26 years after its release, what’s distinct from the subgenre’s 21st-century downturn is how the film’s patient editing and lived-in directing sell writer Richard Curtis’ fantastical premise.” – Willamette Week Aug 18, 2025 Full Review
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