Carolyn Cox
Carolyn Cox's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Kingdom of Dreams and Madness (2013)
92%
EDIT
“If you think a documentary about Studio Ghibli might appeal to you, stop wasting your time with me and start streaming The Kingdom of Dreams and Madness.” –
The Mary Sue
Aug 2, 2017
Full Review
She's Beautiful When She's Angry (2014)
90%
EDIT
“Directed, produced, and shot exclusively by women, She's Beautiful When She's Angry tells the story of the American feminist movement.” –
The Mary Sue
Aug 2, 2017
Full Review
Kidnapping Mr. Heineken (2015)
19%
EDIT
“It's obviously possible to make compelling movies about true crime committed by unsympathetic people, but this sure isn't one of them.” –
The Mary Sue
Aug 2, 2017
Full Review
A Million Ways to Die in the West (2014)
33%
EDIT
“A Million Ways to Die's endless parade of toots undermines its actors. The writing also manages to find less-scatological ways to disrespect women and minorities.” –
The Mary Sue
Aug 2, 2017
Full Review
A Brony Tale (2014)
80%
EDIT
“A Brony Tale educated me, but I can't help but feel the history I learned was a little selective.” –
The Mary Sue
Aug 2, 2017
Full Review
Furious 7 (2015)
81%
EDIT
“Furious 7, more so even than its Furious Forefathers, is about people who love each other un-self-consciously (and the way they express said love with their cars).” –
The Mary Sue
Aug 2, 2017
Full Review
Blackhat (2015)
33%
EDIT
“I'm not saying that this is a good film, just that it has value beyond its inglorious January release.” –
The Mary Sue
Aug 2, 2017
Full Review
What If (2013)
73%
EDIT
“I don't think self-respecting audiences are supposed to believe in soul mates anymore. What If made me want to.” –
The Mary Sue
Aug 2, 2017
Full Review
The Theory of Everything (2014)
81%
EDIT
“The Theory of Everything charts the universes inside of us: inscrutable, expanding, human.” –
The Mary Sue
Aug 2, 2017
Full Review
Trainwreck (2015)
84%
EDIT
“Trainwreck's faults as a movie are overlookable, and its faults as a piece of feminist media are more the result of the burden of representation than anything else.” –
The Mary Sue
Aug 2, 2017
Full Review
Pitch Perfect 2 (2015)
66%
EDIT
“[Pitch Perfect 2] is bigger than Pitch Perfect in every way: more extravagant, more important, and definitely more flawed.” –
The Mary Sue
Aug 1, 2017
Full Review
Jem and the Holograms (2015)
22%
3/5
EDIT
“Jem and the Holograms is a satisfyingly goofy, girl-power band movie that's totally unembarrassed by its own ridiculousness.” –
The Mary Sue
Aug 1, 2017
Full Review
In the Heart of the Sea (2015)
42%
2.5/5
EDIT
“I was pretty satisfied by the movie. Unfortunately, most theater-goers will probably be left wanting more.” –
The Mary Sue
Aug 1, 2017
Full Review
Alien Abduction (2014)
29%
EDIT
“The events that inspired the movie are more believable than the essential conceit of found footage. It sacrifices the story to constantly insist otherwise.” –
The Mary Sue
Aug 1, 2017
Full Review
Fifty Shades of Grey (2015)
25%
EDIT
“Fifty Shades of Grey is so much smarter than its source material, but smarter in this case doesn't mean better. Not where it counts, at least.” –
The Mary Sue
Aug 1, 2017
Full Review
Airplane vs Volcano (2014)
EDIT
“It's saying a lot about my hormones that a movie with the tag line "FLY LIKE HELL" brought a tear to my eye, but I'll admit I was invested and more impressed with the acting than I have been by other Asylum offerings.” –
The Mary Sue
Aug 1, 2017
Full Review
Kumiko, the Treasure Hunter (2014)
88%
EDIT
“I think the less you know going into this movie the better, so if you're a die-hard fan of Rinko Kikuchi or a film buff with a vested interest in how pop culture influences modern folklore, put yourself on Kumiko media blackout and just go see it already.” –
The Mary Sue
Aug 1, 2017
Full Review
The Visit (2015)
68%
4.5/5
EDIT
“The Visit is somehow not only a good movie; it's an exceptional one that stands out from similar stories for its emotional authenticity and the respect it has for its characters.” –
The Mary Sue
Aug 1, 2017
Full Review
Independence Day: Resurgence (2016)
28%
2/5
EDIT
“There's a good movie buried somewhere in Independence Day: Resurgence, amidst the clunky exposition and embarrassing callbacks to the first film and disheartening one-liners delivered by Liam Hemsworth.” –
The Mary Sue
Jun 30, 2016
Full Review
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