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Brian Tallerico

Tomatometer-approved critic

Reviews

Movies TV Shows
Drag (2026) 92% EDIT “It’s a movie that starts with a clever conceit but devolves into something so brutal and downright mean that it leaves a bad taste in your mouth. ” – RogerEbert.com Mar 24, 2026 Full Review DreamQuil (2026) EDIT “What would you do if you were replaced by an AI version of yourself? These are questions at the core of this 'Black Mirror' premise, but Prager doesn’t add enough new to the conversation.” – RogerEbert.com Mar 24, 2026 Full Review Never After Dark (2026) 100% EDIT “Hoshi’s deeply present, engaged performance is one of the main reasons 'Never After Dark’ works so well, but it’s also an undeniably well-made piece of horror filmmaking in terms of craft. ” – RogerEbert.com Mar 24, 2026 Full Review Brian (2026) 100% EDIT “We may not all be able to see ourselves in the quirky Brian, but it’s the film’s desire to be specific instead of some idea of universal that makes it work.” – RogerEbert.com Mar 24, 2026 Full Review Seekers of Infinite Love (2026) EDIT “Clearly, this ensemble knows how to sell a broad comedy that features pit stops at a fat camp and a car chase after a child is kidnapped, but they can’t push through the sitcomish nature of the overall script enough to sell it.” – RogerEbert.com Mar 24, 2026 Full Review Basic (2026) 100% EDIT “The first half can feel a little thin, and the whole thing relies way too much on voiceover, but that falls away with Meester and Park’s comic chemistry as two very different women who discover their common ground.” – RogerEbert.com Mar 24, 2026 Full Review They Will Kill You (2026) 74% 2/4 EDIT “ In the end, it’s just not creative or confident enough to kill its many flaws.” – RogerEbert.com Mar 19, 2026 Full Review Hokum (2026) 95% 3.5/4 EDIT “'Hokum’ isn’t a slow burn, but one of its strengths is how it slides in and out of shocking images and dread-filled atmosphere.” – RogerEbert.com Mar 19, 2026 Full Review Mike & Nick & Nick & Alice (2026) 71% 3/4 EDIT “It’s a comedy that’s consistently displays its eccentric personality but rarely feels like it’s desperately pushing a punchline for a laugh.” – RogerEbert.com Mar 19, 2026 Full Review Monitor (2026) EDIT “It wades into the increasingly crowded genre of how the internet is going to kill us, but with too little thematic exploration or impressive craft. ” – RogerEbert.com Mar 19, 2026 Full Review Sender (2026) 46% EDIT “The problem is that too many of Goldman’s choices as a director seem to actively be working against what Britt Lower brings to his interesting script” – RogerEbert.com Mar 19, 2026 Full Review Imposters (2026) EDIT “It’s a film rich with ideas, and its two leads never falter. ” – RogerEbert.com Mar 19, 2026 Full Review Black Zombie (2026) EDIT “I still love zombie movies. I think Bedward does, too. She’s just made a film that allows you to love them in a different context.” – RogerEbert.com Mar 19, 2026 Full Review Family Movie (2026) 91% EDIT “It’s very cool that the Bacons are so supportive and collaborative. Sadly, that can’t be all to hold onto in a movie.” – RogerEbert.com Mar 19, 2026 Full Review Kill Me (2026) 100% EDIT “'Kill Me' gets a bit more convoluted because the nature of the mystery requires to do so, but it actually works best when it steps back from the whodunit of it all and captures two semi-broken people becoming whole again through their connection. ” – RogerEbert.com Mar 19, 2026 Full Review Chili Finger (2026) EDIT “It navigates the ridiculous and the relatable, holding both in the same beat.” – RogerEbert.com Mar 19, 2026 Full Review The Rise of the Red Hot Chili Peppers: Our Brother, Hillel (2026) 2.5/4 EDIT “Like most music docs, 'The Rise of the Red Hot Chili Peppers, Our Brother Hillel’ will work best for fans of its subject. ” – RogerEbert.com Mar 19, 2026 Full Review Ready or Not 2: Here I Come (2026) 75% 3/4 EDIT “It helps a great deal to have a wickedly fun ensemble ready to play this murderous game, led once again by a physical, engaged, immediate performance from Samara Weaving.” – RogerEbert.com Mar 17, 2026 Full Review Over Your Dead Body (2026) 73% 2.5/4 EDIT “The movie ends up being stolen by Olyphant, who hasn’t been this truly villainous in a long time. ” – RogerEbert.com Mar 16, 2026 Full Review Beyond the Duplex Planet (2026) EDIT “What’s so refreshing about Greenberger’s approach, and something that’s captured well in Beth Harrington’s film, is the lack of sentimentality in his conversations. ” – RogerEbert.com Mar 15, 2026 Full Review Seahorse (2026) EDIT “It’s a drama with the best of intentions that falls short by not truly committing to what I believe is its intent: Humanizing the unhoused in a way that makes them more than just figures in a news story or people overlooked on the street.” – RogerEbert.com Mar 15, 2026 Full Review A Safe Distance (2026) EDIT “Some of the material about the "freedom" of the criminal life is a bit overwritten … and the final act has a a few choices and a twist that didn’t land for me, but the bulk of 'A Safe Distance' works.” – RogerEbert.com Mar 15, 2026 Full Review The Sun Never Sets (2026) 92% EDIT “What it lacks sometimes in dialogue, it makes up in character detail and even visuals.” – RogerEbert.com Mar 15, 2026 Full Review Your Attention Please (2026) EDIT “And how can anyone listen to Kristin Bride and not want to cheer her on? She deserves ALL of our attention.” – RogerEbert.com Mar 15, 2026 Full Review Anima (2026) 91% EDIT “It’s a movie of pregnant pauses and deep considerations masquerading as insight, and one that’s consistently sterile in its presentation.” – RogerEbert.com Mar 15, 2026 Full Review
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