Benjamin Strong
Benjamin Strong's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Psychopathia Sexualis (2006)
23%
EDIT
“...it's clear from the pedantic tone of the dramatic re-enactments (imagine an adult History Channel) that writer-director Bret Wood believes he's showing us the sexual revolution's Magna Carta.” –
Village Voice
Jun 6, 2006
Full Review
Akeelah and the Bee (2006)
86%
EDIT
“Beneath its sentimental exterior, this film is Foucauldian enough to take seriously the idea that knowledge is power.” –
Village Voice
Apr 25, 2006
Full Review
Dirty (2005)
22%
EDIT
“[Director Fisher] appears fixated on Los Angeles as a nihilistic phantasmagoria.” –
Village Voice
Feb 21, 2006
Full Review
Kill the Poor (2003)
25%
EDIT
“Shot on a modest DV budget, Kill the Poor isn't pretty, but it's a balanced look at the dirty politics of gentrification.” –
Village Voice
Jan 3, 2006
Full Review
Daltry Calhoun (2005)
7%
EDIT
“Anyone looking for a paean to the unnatural allure of a sprinklered lawn can see that the grass is greener in Blue Velvet.” –
Village Voice
Nov 1, 2005
Full Review
Saw II (2005)
39%
EDIT
“What's worth noting is how much greater deliberation was given to the marketing than the screenplay of this cursory dud, rushed to theaters exactly a year after its amusing predecessor.” –
Village Voice
Oct 27, 2005
Full Review
The Devil's Rejects (2005)
55%
EDIT
“By rubbing your nose in this hillbilly mayhem, Zombie all but dares you to acknowledge your liberal elitism.” –
Village Voice
Jul 19, 2005
Full Review
A Sidewalk Astronomer (2005)
67%
EDIT
“An unenlightening recitation of lay science and salad bar spirituality.” –
Village Voice
Jul 6, 2005
Full Review
Unleashed (2005)
66%
EDIT
“Missing from Unleashed is every hallmark of good filmmaking.” –
Village Voice
May 10, 2005
Full Review
House of Wax (2005)
27%
EDIT
“First-time director Jaume Collet-Serra lingers over the victims at lengths discomfortingly gratuitous even by slasher standards. But he also demonstrates a droll touch.” –
Village Voice
May 3, 2005
Full Review
Madison (2005)
31%
EDIT
“Peddles condescending hokum as heartland values.” –
Village Voice
Apr 19, 2005
Full Review
Dust to Glory (2005)
60%
EDIT
“The movie is monotonous, storyless, and at under 100 minutes, interminable.” –
Village Voice
Mar 29, 2005
Full Review
Hollywood Buddha (2003)
20%
EDIT
“The movie, as an exercise in narcissism, is breathtaking.” –
Village Voice
Mar 15, 2005
Full Review
Alone in the Dark (2005)
1%
EDIT
“The garish editing and stilted, exposition-only dialogue induce the frisson of an America's Most Wanted re-enactment that pays unexpected, sidesplitting returns.” –
Village Voice
Feb 2, 2005
Full Review
Elektra (2005)
11%
EDIT
“Offers no surprises, and whether or not you'll appreciate its modest charms depends entirely on whether you too have been anticipating Garner's new outfit.” –
Village Voice
Jan 25, 2005
Full Review
The Green Butchers (2003)
63%
EDIT
“Butchers has little appetite for the darkest questions at the heart of its conceit.” –
Village Voice
Nov 30, 2004
Full Review
Friday Night Lights (2004)
82%
EDIT
“The story gestures at a cross-sectional view of America on a Nashville scale.” –
Village Voice
Oct 12, 2004
Full Review
What the Bleep Do We Know!? (2004)
34%
EDIT
“A turgid, Enya-synth infomercial for New Age enlightenment.” –
Village Voice
Sep 7, 2004
Full Review
Serpico (1973)
93%
EDIT
“Lumet's biopic of Frank Serpico, the virtuous cop who exposed a network of graft in the NYPD, feels depressingly relevant.” –
Village Voice
Aug 3, 2004
Full Review
Riding Giants (2004)
93%
EDIT
“Peralta has become a more relaxed filmmaker, and when he trusts the haunting sight of a giant wave breaking to speak for itself, the movie reaches the sublime heights of its subject.” –
Village Voice
Jul 6, 2004
Full Review
The Chronicles of Riddick (2004)
29%
EDIT
“A preening outer-space costume drama staged as a backdrop for its leading man's muscles.” –
Village Voice
Jun 15, 2004
Full Review
The Punisher (2004)
30%
EDIT
“Mismanages its greatest asset: an unusual embarrassment of camp riches.” –
Village Voice
Apr 21, 2004
Full Review
Hidalgo (2004)
46%
EDIT
“A hybrid of both traditional and revisionist contradictions.” –
Village Voice
Mar 9, 2004
Full Review
The Big Bounce (2004)
16%
EDIT
“Newcomer Foster cites Lauren Bacall as a precursor, but her ingnue fatale is more like a lost Olsen triplet.” –
Village Voice
Feb 3, 2004
Full Review
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