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Zachary Doiron

Zachary Doiron's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Cold November (2017) EDIT “It is the film's strong cast and writing that elevate it from its simplistic beginnings into a beautiful celebration of femininity. It's the kind of film that takes viewers on a journey, and if you follow it closely, is sure to take you by surprise.” – Film Inquiry May 28, 2018 Full Review Blumhouse's Truth or Dare (2018) 15% EDIT “The only way you should be seeing this movie is on a dare.” – Film Inquiry May 11, 2018 Full Review Insidious: The Last Key (2018) 34% EDIT “Lin Shaye continues to offer the best performances in the horror genre and The Last Key rewards her with a bigger meatier role. Even though the film detracts during the climax, it's able to overcome it by having a strong story.” – Film Inquiry Jan 8, 2018 Full Review Murder on the Orient Express (2017) 60% EDIT “What starts off as a fun and surprisingly successful murder mystery quickly loses steam as the train chugs along. The mystery just doesn't feel cinematic enough, and the dialogue-heavy reveal managed to muddy one of Christie's most famous twists.” – Film Inquiry Jan 8, 2018 Full Review Suburbicon (2017) 27% EDIT “It's only when the film starts silencing its black characters while trying to deliver a message about racial integration that it feels so self-defeating.” – Film Inquiry Nov 15, 2017 Full Review Happy Death Day (2017) 71% EDIT “Happy Death Day is a harmless horror film that will content slasher fans.” – Film Inquiry Oct 26, 2017 Full Review Saw VI (2009) 39% EDIT “For all the talk of redemption, Saw VI is the only one to actually walk the walk.” – Film Inquiry Oct 23, 2017 Full Review Saw V (2008) 13% EDIT “Everything Saw V shoots at us is something we've seen before, but to a lesser extent.” – Film Inquiry Oct 11, 2017 Full Review Saw IV (2007) 18% EDIT “Saw IV builds an over-elaborate game, and it's unable to escape its own game ultimately killing itself.” – Film Inquiry Oct 4, 2017 Full Review Saw III (2006) 28% EDIT “Saw III's careless nature and its drive to go bigger doesn't consistently lead to better things. Its once compelling twists have now become overdone.” – Film Inquiry Oct 4, 2017 Full Review Saw II (2005) 39% EDIT “While Saw II isn't as good technically as its predecessor, its many clever twists, and exploration of Jigsaw's mind make the second entry a fun guilty pleasure watch.” – Film Inquiry Sep 10, 2017 Full Review Saw (2004) 50% EDIT “It may not be one of the horror greats that many people seem to make it out to be, but Saw is crafty and ambitious enough to warrant a horror buff's time.” – Film Inquiry Aug 31, 2017 Full Review Annabelle: Creation (2017) 70% EDIT “Annabelle: Creation may be tugging too much on the James Wan formula, but the excellent craftsmanship and engaging character drama make it a solid entry into The Conjuring universe.” – Film Inquiry Aug 29, 2017 Full Review The Bad Batch (2016) 45% EDIT “The Bad Batch feels like a post-apocalyptic trip to nowhere-land. Even with all its fascinating ideas and stylistic choices, I find myself unable to recommend it to anyone.” – Film Inquiry Aug 15, 2017 Full Review Kidnap (2017) 35% EDIT “Even with sympathy for Halle Berry, Kidnap is still an atrocity, in contention for worst movie of 2017.” – Film Inquiry Aug 10, 2017 Full Review Atomic Blonde (2017) 79% EDIT “Atomic Blonde isn't an exact copy of John Wick, and while it isn't as good, there are still excellent elements that help redeem this spy thriller.” – Film Inquiry Aug 4, 2017 Full Review Kuso (2017) 32% EDIT “Kuso has nothing to offer for cinephiles or indie lovers. It's over the top revolting and extremely fetishized with no story or interesting characters to back it up.” – Film Inquiry Aug 2, 2017 Full Review Twin Peaks: Fire Walk With Me (1992) 65% EDIT “As hard as it may be to watch, Fire Walk With Me is a beautiful, underrated movie that is essential to Twin Peaks.” – Film Inquiry Jul 20, 2017 Full Review Rough Night (2017) 45% EDIT “Rough Night surprises with its darkly funny material and subversion of gender stereotypes.” – Film Inquiry Jun 27, 2017 Full Review War Machine (2017) 48% EDIT “From weak message delivery to Brad Pitt's awkward performance to the annoying narration, War Machine fails on multiple levels.” – Film Inquiry Jun 27, 2017 Full Review Unforgettable (2017) 29% EDIT “Unforgettable is this year's uninspired erotic thriller, trying to be sexy and mysterious but failing at both, and it continues the sexist stereotypes that plague these films.” – Film Inquiry May 30, 2017 Full Review Snatched (2017) 36% EDIT “If you love your mom, you might want to stay away but if you hate her, by all means, bring her to watch Snatched.” – Film Inquiry May 18, 2017 Full Review A Cure for Wellness (2016) 42% EDIT “For a film to make us wait 130 minutes before revealing its twist only to be underwhelming has committed an unforgivable sin.” – Film Inquiry May 18, 2017 Full Review Before I Wake (2016) 67% EDIT “Before I Wake doesn't have the story nor the suspense to keep it engaging, making this Flanagan's first misfire.” – Film Inquiry May 18, 2017 Full Review The Discovery (2017) 48% EDIT “Even with Mara and Segel in the lead, The Discovery is unable to make a somewhat interesting story; that initial compelling idea is wasted in this dull and stale sci-fi film.” – Film Inquiry Apr 21, 2017 Full Review
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